Manga's Cultural Crossroads

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Animation Studies
anime
Anime Images
art
asia
berndt
Bird's Eye
Bird’s Eye
Brand Nationalism
Category=AB
Category=AF
Category=AKLC1
Category=DS
Category=GTM
Category=JBCC
Category=JBCC1
Category=JBCT
Category=NH
comics
comics studies
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
fan
fan culture analysis
gender in graphic narratives
graphic novel
Hokusai Manga
intercultural adaptation
japan
Japanese Manga
Japanese Popular Culture
Japanese visual culture
Kitazawa Rakuten
Korean Manhwa
Main Characters
Mainstream Manga
Manga Artist
Manga Culture
Manga Industry
Manga Magazine
Manga Studies
Miyazaki Hayao
naruto
Oshii Mamoru
Story Manga
Tatsumi Yoshihiro
transcultural manga research
transculture
transnational media
Tv Anime
Tv Anime Series
Tv Series
Tv Tokyo
Vice Versa
visual

Product details

  • ISBN 9780415504508
  • Weight: 560g
  • Dimensions: 152 x 229mm
  • Publication Date: 22 May 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Focusing on the art and literary form of manga, this volume examines the intercultural exchanges that have shaped manga during the twentieth century and how manga’s culturalization is related to its globalization. Through contributions from leading scholars in the fields of comics and Japanese culture, it describes "manga culture" in two ways: as a fundamentally hybrid culture comprised of both subcultures and transcultures, and as an aesthetic culture which has eluded modernist notions of art, originality, and authorship. The latter is demonstrated in a special focus on the best-selling manga franchise, NARUTO.

Jaqueline Berndt is Full Professor in Comics Theory at the Graduate School of Manga Studies, Kyoto Seika University, Japan.

Bettina Kümmerling-Meibauer is Professor in the German Department at the University of Tübingen, Germany.