Mapping Modernity in Shanghai

Regular price €198.40
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Samuel Y. Liang
Author_Samuel Y. Liang
Carriage Ride
Category=NHF
Category=NHTB
china
Chinese architectural history
Christine Buci Glucksmann
colonial urbanism
courtesan
Courtesan Culture
Courtesan Houses
dianshizhai
Dianshizhai Huabao
Elite Courtesans
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fi Ne Day
Fi Ne Restaurants
Fi Remen
Fi Rst Perceptions
Fi Ve
Foreign Landowners
fourth
Fourth Avenue
gendered spatial relations
Han Bangqing
Homelike Space
houses
huabao
imperial
late
Late Imperial China
Late Nineteenth Century Shanghai
Li Compounds
Li Houses
Nineteenth Century Shanghai
nineteenth-century Shanghai urban modernity
Pleasure Quarters
public space transformation
Rickshaw Pullers
social hierarchy urban studies
tao
urban cultural geography
wang
Western Style Restaurants
Young Man
Zhang Shou

Product details

  • ISBN 9780415569132
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 02 Jun 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This book argues that modernity first arrived in late nineteenth-century Shanghai via a new spatial configuration. This city’s colonial capitalist development ruptured the traditional configuration of self-contained households, towns, and natural landscapes in a continuous spread, producing a new set of fragmented as well as fluid spaces. In this process, Chinese sojourners actively appropriated new concepts and technology rather than passively responding to Western influences. Liang maps the spatial and material existence of these transient people and reconstructs a cultural geography that spreads from the interior to the neighbourhood and public spaces.

In this book the author:

  • discusses the courtesan house as a surrogate home and analyzes its business, gender, and material configurations;
  • examines a new type of residential neighbourhood and shows how its innovative spatial arrangements transformed the traditional social order and hierarchy;
  • surveys a range of public spaces and highlights the mythic perceptions of industrial marvels, the adaptations of colonial spatial types, the emergence of an urban public, and the spatial fluidity between elites and masses.

Through reading contemporaneous literary and visual sources, the book charts a hybrid modern development that stands in contrast to the positivist conception of modern progress. As such it will be a provocative read for scholars of Chinese cultural and architectural history.

Samuel Y. Liang is Assistant Professor of the Humanities at Utah Valley University, USA

More from this author