Mapping the Origins of Figurative Language in Comparative Literature

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19th Century Setting
A01=Richard Trim
Author_Richard Trim
Base Conceptual Metaphor
Category=CFA
Category=CFD
Category=CFG
Category=DSA
Category=DSM
cognitive linguistics
Cognitive Metaphor Theory
comparative literature
Conceptual Metaphor
contrastive linguistics
Conventional Conceptual Metaphors
Counter Clockwise
cross-linguistic figurative mapping
Death Relationship
diachronic semantics
Early Modern English
English Grammar
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Existentialist Philosophy
Fantasy World
figurative cognition
Figurative Language
Gps Measurement
Imperfect Tense
Imperialist Buildings
Lemon Grove
literary discourse analysis
literary translation
Lot's Wife
Lot’s Wife
Mental Space Theory
metaphor
Mind Style
multiple conceptual mapping
narrative conceptualization
neologism formation
Non-real Worlds
personal biography
poetic creativity
Spatio Temporal Trajectories
Stephen Linstead
symbolism
Target Domain
Valiant Dust
Vice Versa

Product details

  • ISBN 9781032140520
  • Weight: 185g
  • Dimensions: 138 x 216mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book investigates the origins of figurative language in literary discourse within a cognitive framework. It represents an interface between linguistics and literature and develops a 6-tier theoretical model which analyses the different factors contributing to the creation of figurative words and expressions.

By examining features ranging from language structure to figurative thought, cultural history, reference, narrative and the personal experience of authors, it develops a global overview of the processes involved. Due to its particularly innovative characteristics in literature, the theme of death is explored in relation to universal concepts such as love and time. These aspects are discussed in the light of well-known authors in comparative literature such as D.H. Lawrence, Simone De Beauvoir, Hermann Hesse and Jorge Luis Borges. The origins can involve complex conceptual mappings in figures of speech such as metaphor and symbolism. They are often at the roots of an author’s personal desires or represent the search for answers to human existence.

This approach offers a wide variety of new ideas and research possibilities for postgraduate and research students in modern languages, linguistics and literature. It would also be of interest to academic researchers in these disciplines as well as the general public who would like to delve deeper into the relevant fields.

Richard Trim is Professor Emeritus in linguistics at the University of Toulon, France. His interest in the study of figurative language covers a wide variety of fields including historical linguistics, contrastive linguistics and translation with the analysis of corpora in both political and literary discourse. He has published widely in these different areas in the form of journal articles, the editing of conference proceedings, book reviews and monographs.

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