A01=Wayne Craven
American architecture
American History
American social history of the Gilded Age
American Studies
art museums
Art Studies
Author_Wayne Craven
Beaux-Arts classicism
Category=AMVD
Category=AMX
Culture of the Industrial Revolution in America
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eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Federal Buildings
Gilded Age
Industrial Revolution
Mural painting in America
Social Studies
State houses
Town planning
Product details
- ISBN 9780692884218
- Weight: 1524g
- Dimensions: 225 x 262mm
- Publication Date: 09 Jan 2018
- Publisher: Bloomsbury Publishing Plc
- Publication City/Country: US
- Product Form: Hardback
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Marble Halls is about the great civic buildings that were designed in the style of Beaux-Arts classicism during the Gilded Age (1865–1918) and about the City Beautiful movement that was intended to improve the setting for the buildings and the urban environment for the people. The Industrial Revolution, which arrived belatedly in the United States, provided the wealth required for grand architecture, and the classical Beaux-style was imported from Paris to serve as a veneer to a society that saw itself as brash and culturally unrefined. Major buildings, from New York City to San Francisco and from St. Paul, MN, to Jacksonville, FL, are discussed as the creations of architects such as McKim, Mead & White, Richard Morris Hunt, and Cass Gilbert with exteriors enhanced by the sculptures of Daniel Chester French and Augustus Saint-Gaudens. But the interiors, too, received rich ornamentation as America saw the rise of its first real school of mural painters whose work was often complemented by the art of the mosaic-maker and the stained-glass window-maker; the Gilded Age was the era that saw the formation of a national association of mural painters and a national sculpture society, as well as national, state and local agencies and commissions to oversee the quality of work in civic buildings. All collaborated to produce the glorious grandeur that Americans believed reflected their proper place as a new power that arose on the world stage, in politics, economics, and military adventurism. Federal buildings, state houses, court houses, train stations, libraries and art museums are discussed as contributors to the City Beautiful movement and to the assertive personality of the new American.
Wayne Craven is The Henry Francis du Pont Winterthur Professor of Art History, Emeritus, at the University of Delaware.
