Marcel Breuer

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analysis of Breuer's major buildings
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Bedroom Wing
Bell Banner
Boston City Hall
Breuer House
Breuer's Work
Breuer’s Work
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concrete design theory
Convent Wing
Dormitory Block
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Fieldstone Wall
Gaude Building
graduate architecture studies
Gropius House
Hunter College Library
Hyperbolic Paraboloid
Hyperbolic Paraboloid Shells
IIT Campus
La Gaude
Le Cor-busier
Le Corbusier
Le Corbusier's Work
Le Corbusier’s Work
modernist architecture
Pavillon Suisse
Place De Fontenoy
postwar architectural movements
structural expressionism
surrealist influence in design
UNESCO Building
UNESCO Complex
UNESCO Headquarter
UNESCO Secretariat
Van Doesburg

Product details

  • ISBN 9781032058160
  • Weight: 360g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book tracks the development of Marcel Breuer’s aesthetic clash between uniformity and singularity through the detailed examination of his seminal buildings. Each chapter examines a specific building and puts into context Breuer’s other work and the contemporary movements/architects of the post-war era such as Surrealism, Brutalism and structural expressionism. The buildings examined include the UNESCO Headquarters in Paris, France, of 1958; the IBM Research Center in Le Gaude, France, of 1962; the Annunciation Priory in Bismark, North Dakota, of 1963; and the Atlanta Central Library of 1980.

Marcel Breuer’s approach to design was inspired by the Spanish phrase, sol y sombra (sun and shadow). Sun and shadow meant for Breuer that a juxtaposition of contrasts was necessary; light glass walls and heavy concrete, masses lifted over voids, and serial precast construction resting on sculptural columns became hallmarks of Breuer’s buildings. By creating an architecture of juxtaposition, Breuer’s work can be interpreted as a surrealist recontre, as fueling a new architectural condition.

A critical evaluation of Marcel Breuer’s work, this book is written for graduate students, researchers, and academics interested in his work and how it shaped the architecture of the post-war era.

John Poros is a professor at Mississippi State University’s School of Architecture and was the previous director of both the Educational Design Institute and the Fred Carl Jr. Small Town Center at Mississippi State.

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