A32=Jean-Jacques Lebel
A32=Michael R. Taylor
A32=Michaela Falckenberg
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Product details
- ISBN 9783906915517
- Weight: 2220g
- Dimensions: 250 x 330mm
- Publication Date: 12 Jan 2021
- Publisher: Hauser & Wirth
- Publication City/Country: CH
- Product Form: Paperback
- Language: English
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A meticulous facsimile of the legendary monograph and draft catalogue raisonné, originally conceived in 1959 by Marcel Duchamp in collaboration with Robert Lebel, back in print after decades.
Marcel Duchamp, the artist’s first legendary monograph and draft catalogue raisonné, was written by art historian and novelist Robert Lebel and published in French in 1959; later that same year, it was translated into English by George Heard Hamilton for Grove Press. The book was a cooperation between Lebel and Duchamp, and beyond Lebel’s extensive writing and bibliography, additional chapters were authored by Duchamp, H.P. Roché and André Breton. The coupling of these texts with diverse archival photographs and an illustrated compendium of Duchamp’s artworks delivered a complex and personal rendering of the artist’s life and inner circle.
For the first time since its release more than 60 years ago, this landmark publication is back in circulation with Hauser & Wirth Publishers’ meticulous facsimile of the English edition, reflecting everything from its hand-tipped images to its recto-verso dust jacket appearing as close to the original as possible.
Marcel Duchamp, the artist’s first legendary monograph and draft catalogue raisonné, was written by art historian and novelist Robert Lebel and published in French in 1959; later that same year, it was translated into English by George Heard Hamilton for Grove Press. The book was a cooperation between Lebel and Duchamp, and beyond Lebel’s extensive writing and bibliography, additional chapters were authored by Duchamp, H.P. Roché and André Breton. The coupling of these texts with diverse archival photographs and an illustrated compendium of Duchamp’s artworks delivered a complex and personal rendering of the artist’s life and inner circle.
For the first time since its release more than 60 years ago, this landmark publication is back in circulation with Hauser & Wirth Publishers’ meticulous facsimile of the English edition, reflecting everything from its hand-tipped images to its recto-verso dust jacket appearing as close to the original as possible.
Dawn Ades is Professor Emerita of the History and Theory of Art at the University of Essex. She has written extensively on Dada, Surrealism, photography and women artists, among other things. Publications include Dada and Surrealism Reviewed, Writings on Art and Anti-Art, Marcel Duchamp (with Neil Cox and David Hopkins) and Photomontage. Among the exhibitions she has organised or co-organised are ‘Art in Latin America’ (1989); ‘Fetishism: Visualising Power and Desire’ (1995); ‘Salvador Dalí: The Centenary Retrospective’ (2004); ‘Undercover Surrealism’ (2006); and ‘Dalí/Duchamp’ (2017–18). Professor Neil Cox is currently Chair in History of Art at the University of Edinburgh and was formerly lecturer in Art History and the Theory of Art at the University of Essex.
