Marcel Duchamp and the Architecture of Desire
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A01=Penelope Haralambidou
Air Grid
allegorical analysis
architectural
architectural analysis of modern art
architectural theory
art historical methodology
Author_Penelope Haralambidou
Binocular Vision
Bride Stripped Bare
Camera Obscura
Category=AM
construction
Deep Space
drawing
Duchamp's Influences
Duchamp's Interest
Duchamp's Notes
Duchamp's Work
duchamps
Duchamp’s Influences
Duchamp’s Interest
Duchamp’s Notes
Duchamp’s Work
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eq_bestseller
eq_isMigrated=1
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eq_nobargain
eq_non-fiction
exhibition design research
glass
Instant Pause
Jean Jacques Lequeu
La Chute
large
Large Glass
Le Gaz
Mixed Media Drawing
museum
perspective
Perspective Construction
Perspex Sheet
philadelphia
Philadelphia Museum
Picture Plane
Retinal Art
Rrose Selavy
spatial representation
Stereoscopic Images
Stereoscopic Pair
Succession Marcel Duchamp
visual perception studies
Visual Rays
work
Product details
- ISBN 9781138405516
- Weight: 453g
- Dimensions: 240 x 220mm
- Publication Date: 02 Aug 2017
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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While much has been written on Marcel Duchamp - one of the twentieth century's most beguiling artists - the subject of his flirtation with architecture seems to have been largely overlooked. Yet, in the carefully arranged plans and sections organising the blueprint of desire in the Large Glass, his numerous pieces replicating architectural fragments, and his involvement in designing exhibitions, Duchamp's fascination with architectural design is clearly evident. As his unconventional architectural influences - Niceron, Lequeu and Kiesler - and diverse legacy - Tschumi, OMA, Webb, Diller plus Scofidio and Nicholson - indicate, Duchamp was not as much interested in 'built' architecture as he was in the architecture of desire, re-constructing the imagination through drawing and testing the boundaries between reality and its aesthetic and philosophical possibilities. Marcel Duchamp and the Architecture of Desire examines the link between architectural thinking and Duchamp's work. By employing design, drawing and making - the tools of the architect - Haralambidou performs an architectural analysis of Duchamp‘s final enigmatic work Given: 1. The Waterfall, 2. The Illuminating Gas... demonstrating an innovative research methodology able to grasp meaning beyond textual analysis. This novel reading of his ideas and methods adds to, but also challenges, other art-historical interpretations. Through three main themes - allegory, visuality and desire - the book defines and theorises an alternative drawing practice positioned between art and architecture that predates and includes Duchamp.
Penelope Haralambidou is Doctoral Programmes Coordinator at the Bartlett School of Architecture, UCL, where she also teaches design Unit 24.
