Marguerite de Navarre's Shifting Gaze

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A01=Elizabeth Chesney Zegura
Anne De Beaujeu
Antoine De Bourbon
Author_Elizabeth Chesney Zegura
Bonne Grace
Category=DSB
Category=DSK
Chansons Spirituelles
des
discussion
Du Mesnil
early modern France
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
feminist literary criticism
femmes
Fi Ctional Characters
Fi Gurative Level
Fi Ve
frame
Frame Discussion
gender class politics in Heptameron
Gentil Homme
guillaume
Histoires Tragiques
Jean Clouet
Jean De Tournes
Jeanne's Marriage
Jeanne’s Marriage
Le Miroir De
Le Roy
livre
Marcel Tetel
Marguerite's Life
Marguerite’s Life
mesnil
Miroir De
narrative perspective theory
Patricia Cholakian
Perfi Dy
power dynamics literature
querelle
Rabelais's Tiers Livre
rabelaiss
Rabelais’s Tiers Livre
Rape Narratives
religious reform history
Sage Publication
social hierarchy analysis
tiers
Young Man

Product details

  • ISBN 9781472487308
  • Weight: 690g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Oct 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Marguerite de Navarre’s Heptaméron, composed in the 1540s and first published posthumously in 1558 and 1559, has long been an interpretive puzzle. De Navarre (1492-1549), sister of King Francis I of France, was a controversial figure in her lifetime. Her evangelical activities and proximity to the Crown placed her at the epicenter of her country’s internecine strife and societal unrest. Yet her short stories appear to offer few traces of the sociopolitical turbulence that surrounded her.In Marguerite de Navarre’s Shifting Gaze, however, Elizabeth Zegura argues that the Heptaméron’s innocuous appearance camouflages its serious insights into patriarchy and gender, social class, and early modern French politics, which emerge from an analysis of the text’s shifting perspectives. Zegura’s approach, which focuses on visual cues and alternative standpoints and viewing positions within the text, hinges upon foregrounding "les choses basses" (lowly things) to which the devisante (storyteller) Oisille draws our attention in nouvelle (novella) 2 of the Heptaméron, using this downward, archaeological gaze to excavate layers of the text that merit more extensive critical attention.While her conclusions cast a new light on the literature, life, and times of Marguerite de Navarre, they are nevertheless closely aligned with recent scholarship on this important historical and literary figure.

Elizabeth Chesney Zegura is Associate Professor (Emerita) of French and Italian at the University of Arizona, USA.

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