Marianne Moore and the Cultures of Modernity
Regular price
€51.99
14 days return policy
Shipping & Delivery
A01=Victoria Bazin
Age Group_Uncategorized
Age Group_Uncategorized
Apollo Belvedere
Author_Victoria Bazin
automatic-update
Big Horn
Category1=Non-Fiction
Category=DS
Category=DSBH
Chinese Plate
COP=United Kingdom
cristanne
Davis's Article
Davis’s Article
Delivery_Pre-order
Dial Award
Ekphrastic Poem
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
illustrated
Illustrated London News
Jamesian Pragmatism
Language_English
Line Stanzas
london
Marianne Moore
miller
Miss Moore
MMN
modernism
Moore's Machine
Moore's Method
Moore's Modernism
Moore's Poems
Moore's Poetry
Moore's Work
moores
Moore’s Machine
Moore’s Method
Moore’s Modernism
Moore’s Poems
Moore’s Poetry
Moore’s Work
news
PA=Not yet available
Paradise Lost
People's Surroundings
People’s Surroundings
Pierce Arrow Motor Car
poems
poetry
Price_€20 to €50
Prismatic Colour
PS=Active
Rocky Mountain Big Horn
softlaunch
Syllabic Verse
Textual Excess
work
Product details
- ISBN 9781032926568
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 14 Oct 2024
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Victoria Bazin examines the poetry of Marianne Moore as it is shaped by and responsive to the experience of being a modern woman, of living in the aftermath of the First World War, of being interpellated as a modern consumer and of writing in "the age of mechanical reproduction." She argues that Moore's textual collages and syllabic sculptures are based on the cultural clutter or debris of modernity, on textual extracts and reproductions, on the phantasmagoria of city life revealing something modernism worked hard to conceal: its relation to modernity, more specifically its relation to the new emerging and expanding mass consumer culture. Drawing extensively on archival resources to trace Moore's influences and to describe her own distinctive modernist aesthetic, this book argues that it was her feminist adaptation of pragmatism that shaped her poetic response to modernity. Moore's use of the quoted fragment is conceptualised in relation not only to Walter Benjamin's philosophical history but also to William James's image of the world as a series of "partial stories." As such, this account of Marianne Moore not only contributes to a greater understanding of the poet and her work, but it also offers up a more politicized and historically nuanced understanding of poetic modernism between the wars, one that retains a sense of the formal complexities of poetic language and the poet's own ethical imperatives whilst also recognising the material impact of modernity upon the modernist poem. This book will appeal, therefore, not only to scholars already familiar with Moore's poetry but more widely to those interested in modernism and American culture between the wars.
Victoria Bazin is a senior lecturer at the Northumbria University, UK
