Marion Greenwood

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20th-century female artists
A01=Joanne B. Mulcahy
Abstract art
Abstract Expressionism
Alexander Calder
art
art criticism
art history
Arts Students League
Associated American Artists
Author_Joanne B. Mulcahy
cartoons
Category=AGA
Category=AGB
Category=AJCD
Category=AMB
Category=DNBF
Category=JBSF1
Category=NHK
Charles Fenn
China
communism
Diego Rivera
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminism
Feminist art biography
gender
Great Depression
Greenwich Village
Greenwood murals and lithographs
Haiti
Isamu Noguchi
Joanne B. Mulcahy art history
Marion Greenwood biography
Marion Greenwood self-portrait
Max Beckman
Metropolitan Museum of Art
Mexican muralism and American art
Mexico
MOMA
Morelia
Muralism
New Mexico
Pablo O'Higgins
painting
Patzcuaro
portraiture
Proust
racism
Realism
sexism
sexuality
socialism
Taxco
Theosophy
visual arts
War Art Program
Winold Reiss
Women in modern art history
Women muralists in America
Woodstock Colony
Woodstock School
World War II
WPA
WPA artists and women
Yaddo

Product details

  • ISBN 9780817361983
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Mar 2025
  • Publisher: The University of Alabama Press
  • Publication City/Country: US
  • Product Form: Paperback
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Marion Greenwood: Portrait and Self-Portrait—A Biography brings to life a woman who blazed through the twentieth-century art world. Born in Brooklyn in 1909, Greenwood thrived at storied institutions and arts centers such as the Art Students League, the studio of German modernist Winold Reiss, the Woodstock Colony, and Yaddo. In 1933, she catapulted to international fame as the first woman to paint a public mural in Mexico. Diego Rivera celebrated Greenwood as one of “the world’s greatest living women mural painters.” She traveled the globe to create award-winning portraits of people from diverse backgrounds, crossing racial, cultural, and class lines to reflect her vision for a more just world.

This biography, the first about Greenwood, is based on a decade of research and interviews. Author Joanne B. Mulcahy integrates the artist’s adventuresome personal life with her journey to artistic glory. Greenwood comes alive as a notable and spirited part of the heady art scenes of 1920s and 1930s Mexico, New York City, and Paris, and as one of two women artist-correspondents during World War II. After social realism and portraiture fell from favor, Greenwood doggedly stuck with what she called “the human thing” in art. Her freewheeling romantic life and independent spirit defied expectations for women, and she dismissed sexist critics who mixed acclaim for her work with commentary on her stunning beauty.

A feminist pioneer, Greenwood made a living as an artist in a time when few women could. In following Greenwood’s maverick path and artistic achievements, this book reveals her central place in the pantheon of history’s remarkable women artists.

Joanne B. Mulcahy taught creative nonfiction at Lewis and Clark College in Portland, Oregon, for thirty years. She is the author of Remedios: The Healing Life of Eva Castellanoz and Birth andRebirth on an Alaskan Island: The Life of an Alutiiq Healer and coauthor of Writing Abroad: A Guide for Travelers.

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