Market Photo Workshop in South Africa and the 'Born Free' Generation

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1980s
1990s
2000s
A01=Julie Bonzon
African contemporary art
apartheid
archive
art history
art school
Author_Julie Bonzon
Bang Bang Club
Category=AGA
Category=AJ
Category=JBCT
Category=JBSL
Category=JHMC
Category=NHH
David Goldblatt
documentary
documentary image analysis
Domestic Photography
Durban
Durban Beachfront
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
family
Gangster Figure
generation
Goodman Gallery
Gordimer
Johannesburg
Kwaito Music
Law Viljoen
Lebohang Kganye
liberation
Losing Ground
Market Photo
Market Photo Workshop
Mary Sibande
masculinity
Matt Kay
memory politics South Africa
Nadine Gordimer
Nelson Mandela
Niq Mhlongo
Njabulo Ndebele
Omar Badsha
photographer
photographic education research
photography
Phumzile Khanyile
Plastic Crowns
politics
post-apartheid
post-apartheid photography
resistance
revolution
Santu Mofokeng
Sipho Gongxeka
South African Photographic
Struggle Photography
students
Township Space
truth
Van Der Vlies
violence
visual culture studies
womanhood
women
Young Men
youth
youth identity in visual narratives
Zanele Muholi

Product details

  • ISBN 9781032411439
  • Weight: 644g
  • Dimensions: 174 x 246mm
  • Publication Date: 15 Sep 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This study presents the history of the Market Photo Workshop (MPW) in Johannesburg and works produced by its new generation of photography students.

Founded in 1989 by internationally renowned documentary photographer David Goldblatt, the MPW has reflected upon South African political struggles and sociocultural changes since its creation. Its foundation parallels a moment in time when photography was considered a ‘truth telling’ genre and an essential source of documents deployed against the apartheid regime. This book reflects on the evolution of the MPW in the post-apartheid era and explores how its new generation of students engages the photographic tradition of this institution and the revolutionary times that accompanied its creation to question their present moment.

The book will be of interest to scholars working in art history, visual studies, photography, African studies, cultural studies and post-colonial studies.

Julie Bonzon, PhD, is an independent art historian and photography curator.

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