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Marks She Made
A01=Mrinalini Rajagopalan
architectural camouflage
Author_Mrinalini Rajagopalan
burial
Category=ABQ
Category=AGA
Category=JBSF1
Catholicism
courtesans
Delhi
diplomacy
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
forthcoming
gift-giving
history of empire
history of patronage
hospitality
palanquins
patronage and power
Portrait
procession
purdah
The Sardhana Mansion
tombs
urban spectacle
women and money
women and power
women city planners
women patrons
Product details
- ISBN 9781526187116
- Dimensions: 156 x 234mm
- Publication Date: 31 Mar 2026
- Publisher: Manchester University Press
- Publication City/Country: GB
- Product Form: Hardback
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Begum Samru (b. circa 1750-d. 1836) was a north Indian woman ruler who used art and architecture to facilitate her social, political, and financial station in early modern India. Rising from the ranks of courtesans in Mughal Delhi to become the commander of her own mercenary army, she later became the ruler of an independent territory of Sardhana (60 km northwest of Delhi). The begum (Urdu/ Hindustani title for noblewoman) was a trusted ally to the Mughal emperor and the English East India Company, two of the dominant political powers in north India at the time. As a sovereign ruler, she corresponded with two popes and King Louis Philippe of France, exchanging portraits, architectural drawings, and letters with these powerful men in addition to her Mughal counterparts in India. Art and architecture played a key role in establishing Begum Samru as a powerful but non-threatening ruler; as an upholder and patron of the Catholic faith in India; as a political ally to several European and Indian factions that were vying for power; and as ruling matriarch of a cosmopolitan household, court, and army. In narrating the story of a single woman in nineteenth-century India, this book offers a path to think of the creative ways in which women participated in public and political spheres. It also illustrates how women without pedigree, women who did not bear biological children or produce male heirs, and women who lived in contravention of gendered norms found alternative methods of recognition, dignity, power, and sometimes, as in the case of Begum Samru, global visibility.
Mrinalini Rajagopalan is Chair and Associate Professor in the Department of History of Art and Architecture at the University of Pittsburgh
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