Martyrs and Players in Early Modern England
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A01=David K. Anderson
agonistes
Author_David K. Anderson
Category=ATD
Category=DDA
Category=DS
Category=DSB
Category=DSBD
Category=QRA
Cordelia's Death
Cordelia’s Death
crisis
Derek Wood
Doctor Faustus
Doctor John Faustus
Double Predestination
Early Modern
Early Modern Religious Culture
Early Modern Tragedy
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eq_bestseller
eq_biography-true-stories
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
executions
jane
Jane Grey
King Lear
Lawful Matrimony
Milton's Tragedy
Milton’s Tragedy
Persecuted Church
priests
Regenerative Suffering
religious
Religious Executions
Religious Violence
sacrificial
Sacrificial Crisis
Sacrificial Violence
samson
Samson Agonistes
Samson's Action
Samson's Body
Samson's Death
Samson's Final Act
Samson’s Action
Samson’s Body
Samson’s Death
Samson’s Final Act
seminary
Tudor Stuart England
violence
Webster's Tragedy
Webster’s Tragedy
Product details
- ISBN 9781138274822
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 26 Aug 2016
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Focusing on Christopher Marlowe, William Shakespeare, John Webster and John Milton, Martyrs and Players in Early Modern England argues that the English tragedians reflected an unease within the culture to acts of religious violence. David Anderson explores a link between the unstable emotional response of society to religious executions in the Tudor-Stuart period, and the revival of tragic drama as a major cultural form for the first time since classical antiquity. Placing John Foxe at the center of his historical argument, Anderson argues that Foxe’s Book of Martyrs exerted a profound effect on the social conscience of English Protestantism in his own time and for the next century. While scholars have in recent years discussed the impact of Foxe and the martyrs on the period’s literature, this book is the first to examine how these most vivid symbols of Reformation-era violence influenced the makers of tragedy. As the persecuting and the persecuted churches collided over the martyr’s body, Anderson posits, stress fractures ran through the culture and into the playhouse; in their depictions of violence, the early modern tragedians focused on the ethical confrontation between collective power and the individual sufferer. Martyrs and Players in Early Modern England sheds new light on the particular emotional energy of Tudor-Stuart tragedy, and helps explain why the genre reemerged at this time.
David K. Anderson is Assistant Professor of English at the University of Oklahoma, USA. He hails from Ontario, Canada.
