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Mary Cassatt at Work
A01=Jennifer A. Thompson
A01=Laurel Garber
A32=Dave Beech
A32=Erica E Hirschler
A32=Kathleen A. Foster
A32=Nicole Georgopulos
A32=Teresa Lignelli
A32=Thomas Primeau
Age Group_Uncategorized
Age Group_Uncategorized
Author_Jennifer A. Thompson
Author_Laurel Garber
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Category1=Non-Fiction
Category=AFC
Category=AGB
COP=United States
Delivery_Delivery within 10-20 working days
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eq_bestseller
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eq_non-fiction
Language_English
PA=Available
Price_€50 to €100
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Product details
- ISBN 9780876333044
- Dimensions: 216 x 289mm
- Publication Date: 23 Apr 2024
- Publisher: Yale University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
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A new study of Mary Cassatt that explores the centrality of work to both her inventive technical practice and her distinctive approach to modern subjects
Mary Cassatt’s (1844–1926) sensitive depictions of the social, intellectual, and professional lives of modern women often emphasize the work involved in the undervalued sphere of feminized activity. From her renowned portrayals of women and children that foreground the labor of caregiving—whether performed by hired help or mothers—to her images of embroidering, theatergoing, and reading, her female subjects are actively engaged, and often engrossed, in what they are doing.
Highlighting Cassatt’s attention to women’s roles in the making of modern life, this study connects her recurring subjects and rigorous techniques to her own understanding of her status as a professional artist. Rather than inspiration, genius, or sentiment, it was intense effort that Cassatt most identified with in her processes of pastel drawing, intaglio printmaking, and oil painting, which resulted in an ever-evolving style that left the labors of art-making visible. Drawing on previously unpublished letters, Cassatt family correspondence, and groundbreaking insights from technical examination of her works, Mary Cassatt at Work places the artist’s carefully constructed professional identity within the wider social contexts of Parisian modernity.
Mary Cassatt’s (1844–1926) sensitive depictions of the social, intellectual, and professional lives of modern women often emphasize the work involved in the undervalued sphere of feminized activity. From her renowned portrayals of women and children that foreground the labor of caregiving—whether performed by hired help or mothers—to her images of embroidering, theatergoing, and reading, her female subjects are actively engaged, and often engrossed, in what they are doing.
Highlighting Cassatt’s attention to women’s roles in the making of modern life, this study connects her recurring subjects and rigorous techniques to her own understanding of her status as a professional artist. Rather than inspiration, genius, or sentiment, it was intense effort that Cassatt most identified with in her processes of pastel drawing, intaglio printmaking, and oil painting, which resulted in an ever-evolving style that left the labors of art-making visible. Drawing on previously unpublished letters, Cassatt family correspondence, and groundbreaking insights from technical examination of her works, Mary Cassatt at Work places the artist’s carefully constructed professional identity within the wider social contexts of Parisian modernity.
Distributed for the Philadelphia Museum of Art
Exhibition Schedule:
Philadelphia Museum of Art
(May 18–September 8, 2024)
The Fine Arts Museums of San Francisco
(October 5, 2024–January 26, 2025)
Jennifer A. Thompson is the Gloria and Jack Drosdick Curator of European Painting and Sculpture and Curator of the John G. Johnson Collection, and Laurel Garber is the Park Family Assistant Curator of Prints and Drawings, both at the Philadelphia Museum of Art.
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