Masculinities in American Cinema

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A01=Stephen Sharot
Author_Stephen Sharot
box office stars
Category=ATF
Category=ATFA
Category=JBCC1
Category=JBSF
Category=KNT
class
Conway Tearle
dramas
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
Eugene O'Brien
fan magazines
female perspectives
forthcoming
Franchot Tone
gender
gendered spectatorship
hegemonic masculinity
Hollywood
identity
institution
labor force
male-oriented gaze
persona
publicity
representation
Robert Montgomery
romantic comedies
social class
star machine
studios
Thomas Meighan

Product details

  • ISBN 9798216370505
  • Dimensions: 152 x 229mm
  • Publication Date: 03 Sep 2026
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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Stephen Sharot traces the evolution of male stardom from its beginnings in 1909 through the United States’ entrance into World War II in 1941, highlighting the influence of a changing American society on masculine identity and ideals.

Drawing on conceptual frameworks from both sociology and film studies including hegemonic masculinity, the civilizing process, and star studies, Sharot analyzes the various masculinities adopted by male stars like Richard Barthelmess, Thomas Meighan, William Powell, among others. In doing so, he demonstrates the integral relationship between trends in masculine personas, shifting gender relations, and changes to the nature of work and the labor force. As constructions and articulations of masculinity among emergent classes were transformed, he contends, so too were their representations.

Stephen Sharot is Emeritus Professor of Sociology at Ben Gurion University of the Negev, Israel.

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