Masculinity and Patriarchal Villainy in the British Novel

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1984
A Clockwork Orange
A01=Sara Martin
abusing patriarchal power
Adolf Hitler
anger
Anthony Burgess
Author_Sara Martin
Big Brother
Big Ger
Big Ger Cafferty
Big Pharmas
British fiction analysis
British novels
Category=DSBH
Category=DSK
Category=JBSF
Category=JBSF11
cautionary tales
cold war
Constant Gardener
contemporary British fiction
contemporary literary antagonists
contemporary politics
Death Eaters
Du Mal
Elder Wand
empowerment
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
evil
fear
fiction
fictional characters
gangster
gender power dynamics
George Orwell
Gormenghast
Half Blood Prince
hero
Hitler
House of Cards
Ian Flemming
Ian Kershaw
J.R.R. Tolkien
James Bond
John Rebus
Julie Ward's Murder
Julie Ward’s Murder
Le Chiffre
literary villain archetypes
Lord of the Rings
Majesty's Secret Service
Majesty’s Secret Service
manhood
masculinity studies
masculinity studies scholarship
men
Meryn Peake
Michael Dobbs
order
organized crime
Original Ellipsis
patriarchal authority critique
patriarchal masculinity
patriarchy
politics
power
real-life figure
representations of male villainy in literature
Richard III
Sauron
sex
Shakespeare's Richard III
Shakespeare’s Richard III
spy fiction
State Secretary
Steerpike
Titus Groan
Tom Riddle
villains' stories
violence
Voldemort
Wizarding World
world war II
Young Man

Product details

  • ISBN 9780367441463
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 05 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort sits at the intersection of literary studies and masculinity studies, arguing that the villain, in many works of contemporary British fiction, is a patriarchal figure that embodies an excess of patriarchal power that needs to be controlled by the hero. The villains' stories are enactments of empowerment fantasies and cautionary tales against abusing patriarchal power. While providing readers with in-depth studies of some of the most popular contemporary fiction villans, Sara Martín shows how current representations of the villain are not only measured against previous literary characters but also against the real-life figure of the archvillain Adolf Hitler.

Sara Martín is Senior Lecturer in English Literature and Cultural Studies at the Universitat Autònoma de Barcelona, Spain. Dr Martín specialises in Gender Studies, particularly Masculinities Studies, which she applies to the study of popular fictions in English, with an emphasis on science fiction and, secondarily, horror and fantasy. Among her books are Monstruos al Final del Milenio (2002), Expediente X: En Honor a la Verdad (2006), Recycling Cultures (ed., 2006), La Literatura (2008), Desafíos a la Heterosexualidad Obligatoria (2011) and Persistence and Resistance in English Studies (co-ed., 2018). She co-edited with Fernando Ángel Moreno a monographic issue on Spanish science fiction for Science Fiction Studies (2017). Dr Martín’s translations include Manuel de Pedrolo’s masterpiece of Catalan Literature Typescript of the Second Origin (2018).

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