Masculinity and the English Working Class

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A01=Ying Lee
Author_Ying Lee
Autobiographical Subjectivity
autobiographies
barton
Bill's Narrative
Bill's Pride
Bill’s Narrative
Bill’s Pride
Bodily Hexis
Bourgeois Subjectivity
Category=DSBF
Category=DSK
Category=JBSA
Category=JBSF2
churches
class and masculinity
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
evangelical
free
Gentleman's Servant
Gentleman’s Servant
honeyman
john
katrina
language
male subjectivity
Nineteenth Century Consciousness
Nineteenth Century English Culture
Nineteenth Century Stereotypes
nineteenth-century British society
Ozias Midwinter
Pickwick Papers
Railway Navvies
romany
Romany Families
Romany Language
Selective Conformity
social mobility literature
Spanish Gypsy
Tayler's Journal
Tayler’s Journal
Thomas Frost
Victorian gender studies
Victorian working-class identity formation
Working Class Autobiographers
Working Class Men
Working Class Poet
Working Class Subjectivity
Working Men
working-class autobiography
Young Men

Product details

  • ISBN 9780415981460
  • Weight: 544g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Jul 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines representations of working-class masculine subjectivity in Victorian autobiography and fiction. In it, Ying focuses on ideas of domesticity and the male body and demonstrates that working-class masculinities differ substantially from those of the widely studied upper classes.

The book also maps the relationship between two trends: the early nineteenth-century efflorescence of published working-class autobiographies (in which working men construct their identities for a broad readership); and a contemporaneous surge of public interest in "the lower orders" that finds reflection in the depiction of working-class characters in popular novels by middle-class authors.

The book mimics this point of convergence by pairing three working-class autobiographies with three middle-class novels. Each chapter focuses on a particular type of work: domestic service, manual (not artisanal) labour, and literary labour (and the opportunities it offers for social advancement). Ying considers the specific ways in which classed and gendered consciousness emerges autobiographically and its significance in the writing of working-class subjectivity for public consumption. Then mainstream novels by Charles Dickens, Elizabeth Gaskell and Charles Kingsley are re-read from the perspective of these autobiographical pressure points.

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