Masculinity in British Cinema, 1990-2010

Regular price €112.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Sarah Godfrey
Age Group_Uncategorized
Age Group_Uncategorized
Author_Sarah Godfrey
automatic-update
British cinema
Category1=Non-Fiction
Category=APFA
Category=APFN
Category=ATFA
Category=ATFN
Category=JBSF2
Category=JFSJ2
class
contemporary film
COP=United Kingdom
cultural history
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
gender
Language_English
masculinity
PA=Available
Price_€50 to €100
PS=Active
softlaunch

Product details

  • ISBN 9781474414142
  • Dimensions: 156 x 234mm
  • Publication Date: 17 Dec 2021
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
From the new man to the metrosexual, British society from the 1990s to the 2000s was pre-occupied with questions about masculinity, and more specifically with the idea that it was somehow 'in crisis.' The first book-length study of British cinematic representations of masculinity in this period, this fascinating study offers a feminist analysis of key tropes in this era, including the New Lad, fatherhood and masculine violence. Positioning these representations within the specific context of British manifestations of postfeminism and neoliberalism, the book explores the shifting representations of masculinity in popular British cinema and offers a detailed analysis of important recent developments in gender culture. With case studies of films like Brassed Off (1996), The Full Monty (1997), Trainspotting (1996) and About a Boy (2002), this book is a fascinating insight into an understudied period of British cinema and culture.
Sarah Godfrey is Lecturer in Film and Television Studies at the University of East Anglia. Her publications include work on gender, race and class in British and American film and television.

More from this author