Masque and Opera in England, 1656-1688

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A01=Andrew Walkling
archival musical sources
Author_Andrew Walkling
Barbara Villiers
Bruce Wood
bulstrode
Category=ATD
Category=AVLA
Category=AVLF
Category=AVLM
Charles II's Court
Charles II’s Court
Day's Entertainment
Day’s Entertainment
De La Musique
Des Granges
dorset
Dorset Garden
dramatick
Dramatick Opera
Duchess Mazarin
English court entertainments
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Faithful Shepherdess
garden
grabu
hall
Hall Theatre
Henry Herringman
interdisciplinary dramatic analysis
Jacob Tonson
louis
Louis Grabu
Nicholas Staggins
performance practice research
Queen's Masque
queens
Queen’s Masque
Restoration Court
Restoration period opera scholarship
Restoration theatre studies
richard
Robert Cambert
Rutland House
seventeenth-century musicology
sir
Sir Richard Bulstrode
Sir William Davenant
Thomas Killigrew
Treasury Books
Van Lennep
William III

Product details

  • ISBN 9781472446534
  • Weight: 520g
  • Dimensions: 156 x 234mm
  • Publication Date: 08 Sep 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Masque and Opera in England, 1656–1688 presents a comprehensive study of the development of court masque and through-composed opera in England from the mid-1650s to the Revolution of 1688–89. In seeking to address the problem of generic categorization within a highly fragmentary corpus for which a limited amount of documentation survives, Walkling argues that our understanding of the distinctions between masque and opera must be premised upon a thorough knowledge of theatrical context and performance circumstances. Using extensive archival and literary evidence, detailed textual readings, rigorous tabular analysis, and meticulous collation of bibliographical and musical sources, this interdisciplinary study offers a host of new insights into a body of work that has long been of interest to musicologists, theatre historians, literary scholars and historians of Restoration court and political culture, but which has hitherto been imperfectly understood.

A companion volume will explore the phenomenon of "dramatick opera" and its precursors on London’s public stages between the early 1660s and the first decade of the eighteenth century.

Andrew R. Walkling is Associate Professor of Art History, English, and Theatre at Binghamton University (State University of New York, USA). He received his Ph.D. in British History from Cornell University, and has published widely on court culture and cultural production in Restoration England, and on the music of Henry Purcell.

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