Mass Mediations

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aesthetics
anthropology
Category=GTM
Category=JBCC1
Category=JBCT
Category=JHMC
colonial societies
colonialism
communication
cultural studies
economics
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eq_society-politics
gamal abdel nasser
identity
israeli transsexual singer
mass media
media studies
middle east
middle eastern art
middle eastern culture
middle eastern history
middle eastern popular culture
modern cultural production
performance
persian popular music
politics
popular culture
postcolonial societies
postcolonialism
postmodern novels
social interaction
transnational

Product details

  • ISBN 9780520219267
  • Weight: 590g
  • Dimensions: 152 x 229mm
  • Publication Date: 19 Sep 2000
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Paperback
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Offering a stimulating diversity of perspectives, this collection examines how popular culture through mass media defines the scale and character of social interaction in the Middle East. The contributors approach popular culture broadly, with an interest in how it creates new scales of communication and new dimensions of identity that affect economics, politics, aesthetics, and performance. Reflected in these essays is the fact that mass media are as ubiquitous in Cairo and Karachi as in Los Angeles and Detroit.From Persian popular music in Beverly Hills to Egyptians' reaction to a recent film on Gamal Abdel Nasser; from postmodern Turkish novels to the music of an Israeli transsexual singer, the essays illustrate the multiple contexts of modern cultural production. The unfolding of modernity in colonial and postcolonial societies has been little analyzed until now. In addressing transnational aspects of Middle Eastern societies, the contributors also challenge conventional assumptions about the region and its relation to the West. The volume will have wide appeal both to Middle Eastern scholars and to readers interested in global and cultural studies.
Walter Armbrust is Visiting Assistant Professor at the Center for Contemporary Arab Studies, Georgetown University. He is the author of Mass Culture and Modernism in Egypt (1996) and editor of The Seen and the Unseeable: Visual Culture in the Middle East (1998).