Mass-Observation and Visual Culture

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A01=Lucy D. Curzon
Albert Renger Patzsch
anthropology
art
Author_Lucy D. Curzon
Bedlington Terrier
Bolton Museum
Britain
Britain Revisited
British social anthropology
Category=ABA
Category=AGA
Category=NHTB
collage
Common Language
Crown Film Unit
documentary photography
England
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Euston Road
Euston Road School
Gillian Wearing
Horse Grazing
Humphrey Spender
interwar Britain studies
Jennings's Work
Jennings’s Work
Julian Trevelyan
Kazoo Band
Len England
Mass Observation Project
national identity
national identity research
Organization's Original Goals
Organization’s Original Goals
painting
photography
qualitative observation methods
Silver Gelatin Print
Spender's Photographs
Spender’s Photographs
Tom Harrisson
twentieth century
United Kingdom
Unobserved Observer
Vice Versa
visual culture
visual documentation of everyday life
visual ethnography
William Coldstream
Young British Artist
Young Man

Product details

  • ISBN 9781032179377
  • Weight: 200g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Sep 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain critically analyses the role that visual culture played in the early development of Mass-Observation, the innovative British anthropological research group founded in 1937. The group’s production and use of painting, collage, photography, and other media illustrates not only the broad scope of Mass-Observation’s efforts to document everyday life, but also, more specifically, the centrality of visual elements to its efforts at understanding national identity in the 1930s.

Although much interest has previously focused on Mass-Observation’s use of written reports and opinion surveys, as well as diaries that were kept by hundreds of volunteer observers, this book is the first full-length study of the group’s engagement with visual culture. Exploring the paintings of Graham Bell and William Coldstream; the photographs of Humphrey Spender; the paintings, collages, and photographs of Julian Trevelyan; and Humphrey Spender’s photographs and widely recognized ‘Mass-Observation film’, Spare Time, among other sources, Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain positions these works as key sources of information with regard to illuminating the complex character of British identity during the Depression era.

Lucy Curzon holds a PhD in Visual Culture Studies and is Associate Professor of Art History at the University of Alabama. She has previously published work on contemporary portrait painting, as well as on the Ashington Group and Humphrey Spender.

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