Master Narratives

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Alan Shelston
bleak
Bleak House
canon formation studies
Category=DSBF
Category=DSK
century
Curiosity Shop
English literature analysis
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ethical Fineness
Firm Perswasion
Follow
George Cattermole
Home Epic
house
Jedediah Cleishbotham
John Tenniel
Lady Dedlock
landlord
Lighthouse
Linton Heathcliff
literary interpretation methods
monthly
Monthly Repository
Mr Jarndyce
Mrs Bagnet
Mrs Pardiggle
Mrs Snagsby
narrative experimentation
narrative technique innovation in novels
narrative theory
nineteenth
nineteenth-century fiction
Peter Pattieson
repository
shandy
tales
Tales Of My Landlord
tristram
TRISTRAM SHANDY
Undramatized Narrator
Wollstonecraft
Wuthering Heights
Young Man

Product details

  • ISBN 9780754601289
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 18 Apr 2001
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Authors whose works are discussed in this collaborative book, covering a 'long' nineteenth century, include Sterne, Fielding, Scott, Austen, Mary Shelley, Emily Brontë, Gaskell, Dickens, George Eliot, Conrad, Woolf, and Lawrence. Most of the chapters focus on a single work, among them Tristram Shandy, Wuthering Heights, Bleak House, Middlemarch and Lord Jim, asking why, in the end, does this novel matter, and what does it invite us to 'see'. The contributors examine aspects of narrative technique which are crucial to interpretation, and which bring something new or distinctive into fiction. The introduction asks whether such experimentation may be driven by challenges to society's 'master narratives' - for instance, by a desire to circumvent the reader's ideological defences - and whether, in a radical model of canon-formation, such narrative innovation may be an aspect of canonicity.
Richard Gravil