Master Narratives and their Discontents

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A01=James Elkins
Academic Art History
Adorno's Aesthetic Theory
aesthetic philosophy
art
art history theoretical frameworks
Author_James Elkins
Avigdor Arikha
Benjamin Buchloh
Category=AB
Category=JBCC
Category=NH
century
Color Field Painting
critical theory
cultural critique
deborah
Donald Kuspit
eq_art-fashion-photography
eq_bestseller
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fairfield Porter
High Low Difference
historiography of art
history
Hubert Damisch
Jean Louis Ernest Meissonnier
Jonathan Borofsky
journal
Jules Olitski
Katy Deepwell
Krauss's Work
Manet's Olympia
Modernist Painting
narrative structures
Newspaper Art Criticism
october
painting
Palacio De Bellas Artes
Philippe De Montebello
Social Art History
studies
Thomas McEvilley
twentieth
Twentieth Century Art
Twentieth Century Painting
Victorian Fairy Painting
visual
visual culture analysis
Visual Studies

Product details

  • ISBN 9780415972697
  • Weight: 530g
  • Dimensions: 140 x 210mm
  • Publication Date: 16 Aug 2005
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In this bracing engagement with the many versions of art history, James Elkins argues that the story of modernism and postmodernism is almost always told in terms of four narratives. Works of art are either seen as modern or postmodern, or praised for their technical skill or because of the politics they appear to embody. These are master narratives of contemporary criticism, and each leads to a different understanding of what art is and does.

Both a cogent overview of the state of thinking about art and a challenge to think outside the art historical box, Master Narratives and their Discontents is the first volume in a series of short books on the theories of modernism by leading art historians on twentieth-century art and art criticism.

James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago, and Head of History of Art at the University College Cork, Ireland. He is the author of Pictures and Tears,How to Use Your Eyes, and WhatPainting Is and, most recently, of Visual Studies: ASkeptical Introduction and The Strange Place of Religionin Contemporary Art, all published by Routledge.

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