Mastering The Shakespeare Audition

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A01=Donna Soto-Morettini
acting
auditioning
Author_Donna Soto-Morettini
Bard in the Botanics
Becky Paris
casting
Category=ATC
Category=ATD
Category=DDV
Category=GTK
Category=PSAN5
Category=VSPT
cognition
cognitive science
Ellen Hartley
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
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forthcoming
Globe
Hannah Miller
Jennifer Dick
memory
monologues
neuroscience
performance
Royal Shakespeare Company
RSC
Shakespeare
speeches

Product details

  • ISBN 9781350566668
  • Dimensions: 138 x 216mm
  • Publication Date: 26 Nov 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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Mastering the Shakespeare Audition combines contemporary research on imagination, memory, and performance to offer a practical, start to finish approach to preparing the Shakespeare audition.

This second edition has a wealth of new material, including greater emphasis on:
finding the right text for you
strengthening your imagined world and visualising that world with more clarity
how to work with your memory — not against it — by understanding how we store and retrieve text under pressure.

Through a streamlined preparation process, you’ll learn how to build a reliable, robust relationship with the language and your imagination so that you can walk into the room with confidence.
Updated throughout, it also reflects the evolving landscape of contemporary casting, acknowledging diversity and the wider range of roles and material now available to actors.
The author’s extensive experience is supplemented by valuable advice from interviews with industry professionals, such as casting directors and voice coaches working at key Shakespeare-focused theatre companies, such as the RSC and Shakespeare's Globe.

Donna Soto-Morettini is currently Senior Lecturer at Edinburgh Napier University, UK, having previously served as Head of Acting at the Royal Central School of Speech and Drama, UK; founding Head of Acting & Dance at the Liverpool Institute for Performing Arts, UK; and as Director of Drama, Head of Musical Theatre, and Director of International Development for the Royal Scottish Conservatoire, UK. She has worked extensively in television, both as a casting director and performance coach, with credits including, ITV’s Superstar, Popstar to Operastar, and All Star Musicals; BBC’s The Voice, The Dare, How Do You Solve a Problem Like Maria?, Any Dream Will Do, Over the Rainbow, I’d Do Anything and Superstar. She has published extensively with Bloomsbury including two editions of Popular Singing and Style, Mastering the Audition, Mastering the Shakespeare Audition and My Character Wouldn’t Do That.

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