Material Cultures of Music Notation

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Acousmatic Composition
algorithmic composition
Asl
avant-garde music
Baroque
Category=AVA
Category=AVLA
Category=JHM
Classifier Handshape
contemporary music
Della
digital score
digital score analysis
Electronic Music
embodiment in music
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
experimental music
Gamelan
history of music notation
interdisciplinary study of music notation
Karnatak Music
manuscript transmission
Material Culture
material culture of music
medieval music
MIDI
music and material culture
music history
music manuscripts
music notation
music score
musical notation
musical score
Musical Staff
musicology research
notation
Oral Notation
performance studies
Persona
Playback
Player Piano Roll
Post-war
Pour Ce
Qui
Salami Slices
Smooth
Staff Notation
Superimposed
Unlimited
Variation Ii
Vice Versa

Product details

  • ISBN 9781032260266
  • Weight: 430g
  • Dimensions: 174 x 246mm
  • Publication Date: 29 Jan 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Material Cultures of Music Notation brings together a collection of essays that explore a fundamental question in the current landscape of musicology: how can writing and reading music be understood as concrete, material practices in a wider cultural context? Drawing on interdisciplinary approaches from musicology, media studies, performance studies, and more, the chapters in this volume offer a wide array of new perspectives that foreground the materiality of music notation. From digital scores to the transmission of manuscripts in the Middle Ages, the volume deliberately disrupts boundaries of discipline, historical period, genre, and tradition, by approaching notation's materiality through four key interrelated themes: knowledge, the body, social relations, and technology. Together, the chapters capture vital new work in an essential emerging area of scholarship.

Floris Schuiling is Assistant Professor at Utrecht University. His areas of expertise are modern and contemporary music in the Netherlands, especially improvised and experimental music, and the role of technology and material culture in musical creativity,with a focus on performance practices.

Emily Payne is Lecturer in Music at the University of Leeds. Her research interests include performance studies (particularly of post-war music), creativity, collaboration, embodiment, and materiality.