Material Literacy in 18th-Century Britain

Regular price €33.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Chloe Wigston Smith
B01=Serena Dyer
Category1=Non-Fiction
Category=ABQ
Category=AFT
Category=AKP
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9781350282414
  • Weight: 760g
  • Dimensions: 156 x 236mm
  • Publication Date: 08 Sep 2022
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

Longlisted for the Historians of British Art Book Prize 2023

The 18th century has been hailed for its revolution in consumer culture, but Material Literacy in Eighteenth-Century Britain repositions Britain as a nation of makers. It brings new attention to 18th-century craftswomen and men with its focus on the material knowledge possessed not only by professional artisans and amateur makers, but also by skilled consumers. This book gathers together a group of interdisciplinary scholars working in the fields of art history, history, literature and museum studies to unearth the tactile and tacit knowledge that underpinned fashion, tailoring and textile production. It invites us into the workshops, drawing rooms and backrooms of a broad range of creators, and uncovers how production and manual knowledge extended beyond the factories and machines which dominate industrial histories.

This book illuminates, for the first time, the material literacies learnt, enacted and understood by British producers and consumers. The skills required for sewing, embroidering and the textile arts were possessed by a large proportion of the British population: men, women and children, professional and amateur alike. Building on previous studies of shoppers and consumption in the period, as well as narratives of manufacture, this collection documents the multiplicity of small producers behind Britain’s consumer revolution, reshaping our understanding of the dynamics between making and objects, consumption and production. It demonstrates how material knowledge formed an essential part of daily life for eighteenth-century Britons. Craft technique, practice and production, the contributors show, constituted forms of tactile languages that joined makers together, whether they produced objects for profit or pleasure.

Serena Dyer is Lecturer in History of Design and Material Culture at De Montfort University, UK. She has published on albums, wallpaper, consumer culture and childhood in the eighteenth century. Her book, Material Lives: Women Makers and Consumer Culture in the 18th Century, was published by Bloomsbury in 2021.

Chloe Wigston Smith is Senior Lecturer in the Department of English and Related Literature and the Centre for 18th Century Studies at the University of York, UK. She is the author of Women, Work, and Clothes in the 18th-Century Novel (2013), as well as articles on women in literature, material culture studies and fashion culture.