Material Theories

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A01=Elena Chestnova
Allgemeine Bauzeitung
Ancient Assyria
Archaeological Reception
archaeology of interiors
Assyrian Archaeology
Assyrian Palaces
Author_Elena Chestnova
Babylonian Confusion
Bodily Adornment
Category=AMB
Category=AMR
Commonplace Artefact
Crystal Palace
Decorative Artefacts
decorative arts history
Design Reform
Design Reformers
designer-artefact interaction
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Eth Zurich
European artefact analysis in design
Gore House
Great Exhibition
Hanging Gardens
Karl Otfried
Lead Glazed Ceramics
Marlborough House
Material Culture
material culture studies
nineteenth-century design theory
Semper's Idea
Semper's Theories
Specific Building Typologies
Sydenham Crystal Palace
thing theory application
Young Man

Product details

  • ISBN 9781032276441
  • Weight: 420g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Jan 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Material Theories takes a radically new approach to well-established thinking on nineteenth-century architecture and design by investigating Gottfried Semper’s classic ideas about dressing, metamorphosis of material, and cultural development, culminating in his two-volume publication Style.

This book demonstrates how Semper’s theories crystallised among his encounters with material things of the late 1840s and early 1850s. It examines several discursive frameworks and phenomena which shaped the attitude to artefacts in Europe in the mid-nineteenth century, and which were specifically pertinent to Semper’s evolution: archaeology and antiquarianism, the domestic interior, print media, collections, and the embodied relationship between the designer and their work. For the first time, this book examines the construction of a design theory not only as an intellectual endeavour but also as a process of confrontation with material things. It employs recent approaches to material culture, in particular Thing Theory, in order to show that Semper’s artefact references constituted his ideas, rather than simply giving impetus to them.

It will be an important investigation for academics and researchers interested in interior design history, as well as scholars of material culture and history of design theory.

Elena Chestnova is a researcher at the Institute for History and Theory of Art and Architecture of the Academy of Architecture in Mendrisio, Switzerland. She has completed her PhD dissertation in Mendrisio after studying architecture at the University of Cambridge and the ETH Zurich.

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