Material Thought

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1950s art
1960s art
A01=Jonathan Fardy
art and materialism
Author_Jonathan Fardy
Category=AGA
Category=QDTN
Category=QDTS
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
formalist aesthetics
forthcoming
Greenberg
helen Frankenthaler
Julia Margaret Cameron
Laruelle
materialist historiography
merz
mid 20th century art
modern art
non-philosophy
non-standard aesthetics
paolini
pascali
Rosenberg
soma-aesthetics

Product details

  • ISBN 9781350563292
  • Dimensions: 138 x 216mm
  • Publication Date: 10 Dec 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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Material Thought recovers the legacy of ‘formalist’ art and theory of the mid-20th century, taking as its point of departure François Laruelle’s project of ‘non-standard aesthetics.’

Carrying out what Laruelle names a 'mutation' of formalism, recovering its radical scientificity whilst dismantling its reified façade, Jonathan Fardy operationalises a radical flattening of the division between making and thinking which he then applies to the work of select artists and critics: Clive Bell, Clement Greenberg, Michael Fried, and Rosalind Krauss, as well as artists, including Helen Frankenthaler, Giulio Paolini, and Degas. Tending to works that both predate and postdate the high-water mark of formalist art and theory, he recovers and renews a theoretical impetus that proceeded the idealist tendency of 'high formalism' - i.e., the drive to incarnate a materialist aesthetics that took the materiality of art as its critical point of departure.

Through his attention to what he calls this 'materialist-formalism,' Fardy restores to 20th-century formalism a vital theoretical and political significance that has been hitherto overshadowed by 'pure' formalism and its depoliticised abstractions.

Jonathan Fardy is Associate Professor of Art History at Idaho State University, USA

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