Maternal, Digital Subjectivity, and the Aesthetics of Interruption

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A01=EL Putnam
Author_EL Putnam
Category=JBCT
Category=JBSF
Category=UG
digital aesthetics
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film studies
gender studies
media studies
pregnancy
uterus

Product details

  • ISBN 9781501364822
  • Dimensions: 152 x 229mm
  • Publication Date: 26 May 2022
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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Bringing together philosophies of the maternal with digital technology may appear to be an arbitrary pairing. However, reading them intertextually through select creative practices reveals how both encompass an aesthetics of interruption that becomes a novel means of understanding subjectivity.
EL Putnam investigates how the digital performances of certain artists, creators, and technologists rupture existing representations of the maternal, taking advantage of the formal properties of digital media. What results are interruptions of visual and aural constructions through an immanent merging of the performing body with digital technologies.
Putnam bases her analysis on close examinations of the way certain makers use the formal properties of digital imagery, such as the gap, the glitch, and the lag, as means of rendering images of the maternal uncanny in order to challenge mediation, constituting an aesthetics of interruption. The result is a radical critical strategy for engaging with digital technology and subsequent understandings of the subject that defy current modes of assimilation.

EL Putnam lectures in Digital Media at the National University of Ireland Galway. She is a scholar and artist working predominately in performance art, video, sound, and interactive media. Her practice and research focuses on the interplay of corporeal and digital gestures.

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