Mathematical Music

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Nikita Braguinski
Aeolian Harp
algorithmic composition
Antiquity
Artificial Intelligence
artificial intelligence applications
Author_Nikita Braguinski
Baroque
Blossomed
Board Game
Category=AV
Category=UYU
Combinatorial Explosion
computational creativity
Computerization
Deep Learning
Deep Learning Systems
eq_art-fashion-photography
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Follow
generative music technology
Harmonie Universelle
historical musicology
Holds
Illiac Suite
Inclined
Machine Learning
Machine Learning Systems
Markov Chains
Mathematical Music
Middle Ages
Mozart
Music
music informatics
Musical Mathematical Theories
Musurgia Universalis
Piano Keyboard
Playback
Small Integer Ratio
Stack
stochastic processes in music
Vocal Folds

Product details

  • ISBN 9781032062204
  • Weight: 300g
  • Dimensions: 138 x 216mm
  • Publication Date: 14 Mar 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Mathematical Music offers a concise and easily accessible history of how mathematics was used to create music. The story presented in this short, engaging volume ranges from ratios in antiquity to random combinations in the 17th century, 20th-century statistics, and contemporary artificial intelligence.

This book provides a fascinating panorama of the gradual mechanization of thought processes involved in the creation of music. How did Baroque authors envision a composition system based on combinatorics? What was it like to create musical algorithms at the beginning of the 20th century, before the computer became a reality? And how does this all explain today’s use of artificial intelligence and machine learning in music? In addition to discussing the history and the present state of mathematical music, Braguinski also takes a look at what possibilities the near future of music AI might hold for listeners, musicians, and the society.

Grounded in research findings from musicology and the history of technology, and written for the non-specialist general audience, this book helps both student and professional readers to make sense of today’s music AI by situating it in a continuous historical context.

Nikita Braguinski is a musicologist and historian of technology. He studied musicology at the University of Cologne and wrote his PhD in media theory at the Humboldt University of Berlin. He was a visiting postdoctoral fellow at the Max Planck Institute for the History of Science, a postdoctoral fellow of the Music Department at Harvard University, and most recently a postdoctoral researcher at Humboldt University where he wrote this book. He plays flute, piano, and guitar (but only when nobody is listening). His past musical experience ranges from playing in a rock band to jazz compositions, symphonic music, and electronic dance music.

More from this author