Maurice Mandelbaum and American Critical Realism

Regular price €67.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Abstractive Laws
American Critical Realism
Bhaskarian Critical Realism
Category=QDHR
Causal Criterion
Charles Beard
Chronic
Contemporary Critical Realism
Covering Law Model
Critical Realism
cultural change dynamics
Epistemological Dualism
epistemological frameworks
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
Error Theory
facts
Frank Ankersmit
Gestalt Thinking
historiography theory
individualism
Introspective Phenomenology
laws
Merleau Ponty's Account
Merleau Ponty’s Account
Metaethical Views
methodological
Moral Phenomenology
Moral Realism
naive
Naive Realism
Non-objectivist Views
ontology of social explanation
phenomenological analysis
philosophical
philosophy of science
Representative Realism
roy
sellars
social ontology
societal
Societal Facts
Societal Laws
Society's Conversation
Society’s Conversation
Sociological Holism
wood

Product details

  • ISBN 9781138797918
  • Weight: 340g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 May 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Many have wondered about the similarity in name of American critical realism and the movement of the same name begun by Roy Bhaskar. The figure of Maurice Mandelbaum complicates the relationship, not only due to his career bridging the two movements but also Mandelbaum’s concern not only with traditional concerns of American critical realism (epistemology and philosophy of science) but the nature of society, the nature of social explanation, and naturalism.

This volume reflects both on Mandelbaum’s own career and the relation of his thought to Bhaskar’s critical realism. By examining Mandelbaum’s commitments to phenomenology within critical realism, as well as his goal to enlighten social scientific and above all historiographical categories, it is possible to see how Mandelbaum went beyond the scientific realism of his predecessors. At the same time, a fruitful comparison with Bhaskar’s and others’ thought is undertaken by examining mandelbaum’s solutions to the problems of the ontology of sociology and social laws, the dynamics of cultural change and the overriding master narratives that govern late capitalism. By explaining Mandelbaum’s scrupulous attempt to address the horrors of the twentieth century, it is possible to appreciate his significance for the twenty-first.

A timely and important book, Maurice Mandelbaum and American Critical Realism is essential reading for all serious students of critical realism and twentieth century philosophy.

Ian F. Verstegen is an independent scholar living in Philadelphia. Trained in art history, he is an authority on early modern Italian art, especially the painter Federico Barocci, and his interests and publications extend to psychology, aesthetics, and philosophy.