Maximalism in Contemporary American Literature

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A01=Nick Levey
American Literature
American Studies
Author_Nick Levey
Berlin Streets
Cardinal Functions
Category=DS
Category=DSBH
Category=JBCC
Contemporary American Literature
Contemporary Culture
Contemporary Literature
Contemporary Society
cultural criticism methodology
Cultural Studies
CVS Pharmacy
David Foster Wallace
David Foster Wallace's Infinite
David Foster Wallace’s Infinite
Encyclopedic Fiction
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
excessive detail in American novels
Foster Wallace's Infinite Jest
Foster Wallace’s Infinite Jest
Gravity's Rainbow
Gravity’s Rainbow
Hal's Narrative
Hal’s Narrative
Infinite Jest
information overload studies
Inherent Vice
Internal Revenue Service
literary formalism approaches
Literature
Maximalism
Maximalist
Maximalist Authors
Maximalist Mode
Maximalist Novel
Maximalist Writing
Mike's Attempts
Mike’s Attempts
Minimalism
New Formalism
Nicholson Baker
Pale King
Postmodern Literature
postmodern narrative theory
Postmodern Novel
Postmodernism
Postwar West
Pynchon
Research
Room Temperature
The Mezzanine
The Pale King
Thing Theory
Thing Theory analysis
Thomas Pynchon
Toothpaste Tubes
Wallace's Fiction
Wallace's Infinite Jest
Wallace’s Fiction
Wallace’s Infinite Jest
white-collar aesthetics
Young Men

Product details

  • ISBN 9781138672260
  • Weight: 385g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Dec 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book begins a new and foundational discussion of maximalism by investigating how the treatment of detail in contemporary literature impels readers to navigate, tolerate, and enrich the cultural landscape of postindustrial America. It studies the maximalist novels of David Foster Wallace, Nicholson Baker, Thomas Pynchon, and others, considering how overly-detailed writing serves the institutional, emotional, and intellectual needs of contemporary readers and writers. The book argues that maximalist novels not only exceed perceived limits of style, subject matter, and scope, but strive to remake the usefulness of books in contemporary culture, refreshing the act of reading. Levey shows that while these novels are preoccupied with detail and description, they are relatively unconcerned with the traditional goals of representation. Instead, they use detail to communicate particular values and fantasies of intelligence, enthusiasm, and ability attached to the management of complex and excessive information. Whether reinvigorating the banal and trivial in mainstream culture, or soothing anxieties of human insufficiency in the age of automation and the internet, these texts model significant abilities, rather than just objects of significance, and encourage readers to develop habits of reading that complement the demands of an increasingly detailed culture. Drawing upon a diverse range of theoretical schools and cultural texts, including Thing Theory, Marxism, New Formalism, playlists, blogs, and archival manuscripts, the book proposes a new understanding of maximalist writing and a new way of approaching the usefulness of literary objects in contemporary culture.

Nick Levey teaches in the English Department at La Trobe University, Australia. He publishes on contemporary fiction and is currently writing about post-press literature and the rise of digital self-publishing.

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