Mean Girl Feminism

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A01=Kim Hong Nguyen
Age Group_Uncategorized
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agency
anti-Blackness
Author_Kim Hong Nguyen
automatic-update
beauty myth
biopower
Bitch
blackface
Category1=Non-Fiction
Category=APFA
Category=APT
Category=ATFA
Category=ATJ
Category=JBCC1
Category=JBSF11
Category=JFCA
Category=JFFK
civility
colonialism
COP=United States
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embourgeoisement
empire
enslavism
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminism
feminist media studies
feminist resistance
global motherhood
heterosexism
illegible rage
intersectionality
killjoy
Language_English
mean girl
monogamy
non-performativity
PA=Available
performativity
postfeminism
power couple
Price_€20 to €50
PS=Active
softlaunch
supplement
white feminism
whiteness

Product details

  • ISBN 9780252087684
  • Weight: 227g
  • Dimensions: 152 x 229mm
  • Publication Date: 09 Jan 2024
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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White feminists performing to maintain privilege

Mean girl feminism encourages girls and women to be sassy, sarcastic, and ironic as feminist performance. Yet it coopts its affect, form, and content from racial oppression and protest while aiming meanness toward people in marginalized groups.

Kim Hong Nguyen’s feminist media study examines four types of white mean girl feminism prominent in North American popular culture: the bitch, the mean girl, the power couple, and the global mother. White feminists mime the anger, disempowerment, and resistance felt by people of color and other marginalized groups. Their performance allows them to pursue and claim a special place within established power structures, present as intellectually superior, substitute nonpolitical playacting for a politics of solidarity and community, and position themselves as better, more enlightened masters than patriarchy. But, as Nguyen shows, the racialized meanness found across pop culture opens possibilities for building an intersectional feminist politics that rejects performative civility in favor of turning anger into liberation.

Kim Hong Nguyen is an associate professor of communication arts at the University of Waterloo and the editor of Rhetoric in Neoliberalism.

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