Meaning of Life in Romantic Poetry and Poetics

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A01=Ross Wilson
aesthetics of poetry
apperceptive
Apperceptive Awareness
Author_Ross Wilson
biographia
body
breath
British Romanticism
Canto III
Category=DSBF
Category=DSC
Celan's Poetry
Corinna Russell
David Ferris
Denise Levertov
Emmanuel Hocquard
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethics in literature
Evanescent Visitations
Frail Memorials
Icy Silence
Ideal Entity
Infinite Inflexions
Joan Retallack
literaria
literary philosophy
Living Hand
Lyrical List
Material Phenomenology
Metabasis Eis Allo Genos
moment
mortal
Mortal Breath
National Socialist Genocide
Night Mare
Paul Hamilton
philosophical approaches to Romantic poetry
Poet's Hand
poetic theory
Poetry's Task
Richard Eldridge
Robert Kaufman
sacrifi
Simon Jarvis
specular
Specular Moment
spiritual
Spiritual Body
Stefan H. Uhlig
subjectivity in verse
Twentieth Century American Poetry
Undistinguished Lives
Vice Versa

Product details

  • ISBN 9780415809139
  • Weight: 380g
  • Dimensions: 152 x 229mm
  • Publication Date: 16 Aug 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This volume brings together an impressive range of established and emerging scholars to investigate the meaning of ‘life’ in Romantic poetry and poetics. This investigation involves sustained attention to a set of challenging questions at the heart of British Romantic poetic practice and theory. Is poetry alive for the Romantic poets? If so, how? Does ‘life’ always mean ‘life’? In a range of essays from a variety of complementary perspectives, a number of major Romantic poets are examined in detail. The fate of Romantic conceptions of ‘life’ in later poetry also receives attention. Through, for examples, a revision of Blake’s relationship to so-called rationalism, a renewed examination of Wordsworth’s fascination with country graveyards, an exploration of Shelley’s concept of survival, and a discussion of the notions of ‘life’ in Byron, Kierkegaard, and Mozart, this volume opens up new and exciting terrain in Romantic poetry’s relation to literary theory, the history of philosophy, ethics, and aesthetics.

Ross Wilson is a Leverhulme Trust Early Career Fellow at the University of Cambridge. His works Subjective Universality in Kant’s Aesthetics (Lang) and Theodor Adorno (Routledge) appeared in 2007.

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