Meanings of Abstract Art

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Abstract Art
abstract art nature relationship
Ai Weiwei
Arp
art history
art philosophy research
Arte Povera
Arthur Dove
Autumn Rhythm
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Category=JBCT
classical modernism
De Kooning
Diamond Composition
early American abstraction
El Anatsui
Entropic Framework
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Kandinsky
Kazimir Malevich
Malevich
Mathematical Expressions
Michaux
Mikhail Matiushin
modern art
modernist aesthetics
mondrian
Mondrian's Composition
Mondrian’s Composition
Newman
nonrepresentational painting
Paul Gauguin
phenomenology of art
philosophy of art
Pierre Soulages
pollock
post-war abstraction
smithson
Suprematist Compositions
Suprematist Painting
unconscious creativity
Universal Writing
Vice Versa
Vir Heroicus Sublimis
visual perception theory
Wassily Kandinsky
West Palm Beach
Willem De Kooning
Wunsche

Product details

  • ISBN 9781138233867
  • Weight: 430g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Oct 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Traditional art is based on conventions of resemblance between the work and that which it is a representation "of". Abstract art, in contrast, either adopts alternative modes of visual representation or reconfigures mimetic convention. This book explores the relation of abstract art to nature (taking nature in the broadest sense—the world of recognisable objects, creatures, organisms, processes, and states of affairs).

Abstract art takes many different forms, but there are shared key structural features centered on two basic relations to nature. The first abstracts from nature, to give selected aspects of it a new and extremely unfamiliar appearance. The second affirms a natural creativity that issues in new, autonomous forms that are not constrained by mimetic conventions. (Such creativity is often attributed to the power of the unconscious.)

The book covers three categories: classical modernism (Mondrian, Malevich, Kandinsky, Arp, early American abstraction); post-war abstraction (Pollock, Still, Newman, Smithson, Noguchi, Arte Povera, Michaux, postmodern developments); and the broader historical and philosophical scope.

Paul Crowther is Chair of Philosophy at the National University of Ireland, Galway Isabel Wünsche is Professor of Art and Art History at Jacobs University, Bremen