Media Culture

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A01=Douglas Kellner
American Horror Story
Author_Douglas Kellner
Blade Runner
Blade Runner Films
British Cultural Studies
Cambridge Analytica
Category=JBCC
Category=JBCT
celebrity culture
Contemporary Society
critical media literacy
Critical Media Pedagogy
critical theory
culture wars
digital communication critique
Disk Jockey
DJ
DVD Commentary
El Cantante
Encoding and Decoding
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Film Cycle
gender and sexuality
Handmaid's Tale
Handmaid’s Tale
identity politics research
intersectional media studies
intersectionality
Jonathan Crane
Lady Gaga
Lee's Films
Lee’s Films
media analysis methods
media and gender
media and society
media culture
media representation
media theory
mediatization
multiculturalism
Obama and the media
political struggles
popular culture scholarship
Rambo Films
Reality Tv
Reality Tv Show
Sal's Pizzeria
Sal’s Pizzeria
science fiction
Slasher Films
social media and politics
Trump and the media
Trump Era
Tv Series
visual culture studies
women's films
Young Man

Product details

  • ISBN 9780367199333
  • Weight: 680g
  • Dimensions: 156 x 234mm
  • Publication Date: 20 May 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In this thorough update of one of the classic texts of media and cultural studies, Douglas Kellner argues that media culture is now the dominant form of culture that socializes us and provides and plays major roles in the economy, polity, and social and cultural life.

The book includes a series of lively studies that both illuminate contemporary culture and society, while providing methods of analysis, interpretation, and critique to engage contemporary U.S. culture. Many people today talk about cultural studies, but Kellner actually does it, carrying through a unique mixture of theoretical analysis and concrete discussions of some of the most popular and influential forms of contemporary media culture. Studies cover a wide range of topics including: Reagan and Rambo; horror and youth films; women’s films, the TV series Orange is the New Black and Hulu’s TV series based on Margaret Atwood’s The Handmaid’s Tale; the films of Spike Lee and African American culture; Latino films and cinematic narratives on migration; female pop icons Madonna, Beyoncé, and Lady Gaga; fashion and celebrity; television news, documentary films, and the recent work of Michael Moore; fantasy and science fiction, with focus on the cinematic version of Lord of the Rings, Philip K. Dick and the Blade Runner films, and the work of David Cronenberg.

Situating the works of media culture in their social context, within political struggles, and the system of cultural production and reception, Kellner develops a multidimensional approach to cultural studies that broadens the field and opens it to a variety of disciplines. He also provides new approaches to the vexed question of the effects of culture and offers new perspectives for cultural studies. Anyone interested in the nature and effects of contemporary society and culture should read this book.

Douglas Kellner is George Kneller Chair in the Philosophy of Education at UCLA, U.S.A., and is author of many books on social theory, politics, history, and culture, including American Nightmare: Donald Trump, Media Spectacle, and Authoritarian Populism (2016) and American Horror Show: Election 2016 and the Ascent of Donald J. Trump (2017).

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