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Media, Technology, and Literature in the Nineteenth Century
Media, Technology, and Literature in the Nineteenth Century
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A01=Margaret Linley
acoustic media analysis
afterimage
Author_Margaret Linley
books
Category=DSBF
Category=JBCC
Category=NH
Category=PDX
Central Telegraph Office
Christmas Gift Book
Coventry Street
des
Des Grieux
Dorothy's Journal Entry
Dorothy’s Journal Entry
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science
eq_society-politics
Galvanic Battery
General Stud Book
gift
Gowbarrow Park
Grasmere Journal
grieux
haptic technology history
kaleidoscope
Merlin Holland
Narcissus Pseudonarcissus
Nearer Vision
nineteenth-century print culture
Oscar Gustav Rejlander
Piano Style Keyboard
Pile Wort
poetry
Resort Towns
retinal
Retinal Afterimage
scientific literature intersections
Secret Touch
Sensory Circles
Sensory Fatigue
sensory perception studies
social
Social Kaleidoscope
St Martin's Le Grand
St Martin’s Le Grand
Tactile Acuity
Ut Pictura Musica
victorian
Victorian media theory research
visual impairment accessibility
Young Man
Product details
- ISBN 9781409400097
- Weight: 589g
- Dimensions: 156 x 234mm
- Publication Date: 28 Feb 2011
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
Operating at the intersection where new technology meets literature, this collection discovers the relationship among image, sound, and touch in the long nineteenth century. The chapters speak to the special mixed-media properties of literature, while exploring the important interconnections of science, technology, and art at the historical moment when media was being theorized, debated, and scrutinized. Each chapter focuses on a specific visual, acoustic, or haptic dimension of media, while also calling attention to the relationships among the three. Famous works such as Wordsworth's "I wandered lonely as a cloud" and Shelley's Frankenstein are discussed alongside a range of lesser-known literary, scientific, and pornographic writings. Topics include the development of a print culture for the visually impaired; the relationship between photography and narrative; the kaleidoscope and modern urban experience; Christmas gift books; poetry, painting and music as remediated forms; the interface among the piano, telegraph, and typewriter; Ernst Heinrich Weber's model of rationalized tactility; and how the shift from visual to auditory telegraphic instruments amplified anxieties about the place of women in nineteenth-century information networks. Full of surprising insights and connections, the collection offers new impetus for stimulating historical conversations and debates about nineteenth-century media, while also contributing fresh perspectives on new media and (re)mediation today.
Colette Colligan and Margaret Linley are members of the English Department and Graduate Print Culture Program at Simon Fraser University, Canada.
Media, Technology, and Literature in the Nineteenth Century
€198.40
