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Medieval Cantors and their Craft
Medieval Cantors and their Craft
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★★★★★
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€122.99
A32=Alison I. Beach
A32=Andrew B Kraebel
A32=Anna De Bakker
A32=Cara Aspesi
A32=Charles C. Rozier
A32=Claire Jones
A32=David Ganz
A32=Dr Andrew B. Kraebel
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Age Group_Uncategorized
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B01=Andrew B Kraebel
B01=Dr Andrew B. Kraebel
B01=Margot E. Fassler
B01=Professor Katie Ann-Marie Bugyis
Cantors
Category1=Non-Fiction
Category=AVGC2
Category=AVLA
Category=HBJD
Category=HBLC
Category=HBTB
Category=NHDJ
Category=NHTB
Catholic Church
Christianity
Church History
Church music
COP=United Kingdom
Delivery_Delivery within 10-20 working days
Divine Office
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eq_bestseller
eq_history
eq_isMigrated=2
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Historiography
Language_English
Liturgy
Medieval Europe
Medieval Latin West
Middle Ages
Necrologies
PA=Available
Prayer
Price_€100 and above
PS=Active
Religion
Ritual Remembrance
Sacred song
Saint
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Product details
- ISBN 9781903153673
- Weight: 656g
- Dimensions: 156 x 234mm
- Publication Date: 17 Mar 2017
- Publisher: York Medieval Press
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
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First full-length study of the role and duties of the medieval cantor.
Cantors made unparalleled contributions to the way time was understood and history was remembered in the medieval Latin West. The men and women who held this office in cathedrals and monasteries were responsible for calculating the date of Easter and the feasts dependent on it, for formulating liturgical celebrations season by season, managing the library and preparing manuscripts and other sources necessary to sustain the liturgical framework of time, andpromoting the cults of saints. Crucially, their duties also often included committing the past to writing, from simple annals and chronicles to more fulsome histories, necrologies, and cartularies, thereby ensuring that towns, churches, families, and individuals could be commemorated for generations to come.
This volume seeks to address the fundamental question of how the range of cantors' activities can help us to understand the many different waysin which the past was written and, in the liturgy, celebrated across the Middle Ages. Its essays are studies of constructions, both of the building blocks of time and of the people who made and performed them, in acts of ritual remembrance and in written records; cantors, as this book makes clear, shaped the communal experience of the past in the Middle Ages.
Katie Ann-Marie Bugyis is Assistant Professor of Religious Studies at St. Martin's University; Margot Fassler is Kenough-Hesburgh Professor of Music History and Liturgy at the University of Notre Dame and Robert Tangeman Professor Emerita of Music History at Yale University; A.B. Kraebel is Assistant Professor of English at Trinity University.
Contributors: Cara Aspesi, Anna de Bakker, Alison I. Beach, Katie Ann-Marie Bugyis, Margot E. Fassler, David Ganz, James Grier, Paul Antony Hayward, Peter Jeffery, Claire Taylor Jones, A.B.Kraebel, Lori Kruckenberg, Rosamond McKitterick, Henry Parkes, Susan Rankin, C.C. Rozier, Sigbjorn Olsen Sonnesyn, Teresa Webber, Lauren Whitnah
KATIEANN-MARIE BUGYIS is Associate Professor, University of Notre Dame. CHARLES C. ROZIER is Lecturer in Medieval Studies at the University of East Anglia, Norwich, UK.
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