Medieval Monstrosity and the Female Body

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A01=Sarah Alison Miller
Ancrene Riwle
Ars Amatoria
Author_Sarah Alison Miller
blood
bodies
Category=DSBB
Category=JBSF1
Category=NH
Christ's Body
Christ's Wounds
christs
Christ’s Body
Christ’s Wounds
corporeal boundaries
corporeality
De Secretis Mulierum
De Vetula
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Female Corporeality
Female Maturation
Female Monstrosity
female monstrosity in medieval literature
Female Seed
gynecology history
Julian's Showings
Julian's Visions
julians
Julian’s Showings
Julian’s Visions
Mary's Womb
Mary’s Womb
medieval gender studies
Medieval Monster
Medieval Monstrosity
monstrous
Monstrous Bodies
Monstrous Female Body
mystical theology
Norwich's Showings
Norwich’s Showings
Ovidian Corpus
religious symbolism
Remedia Amoris
reproductive
Reproductive Female Body
Secret Things
showings
teratology
vetula
virgin
Virgin Body
Women's Secrets
Women’s Secrets
Young Man

Product details

  • ISBN 9780415873598
  • Weight: 580g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Jun 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The medieval monster is a slippery construct, and its referents include a range of religious, racial, and corporeal aberrations. In this study, Miller argues that one incarnation of monstrosity in the Middle Ages—the female body—exists in special relation to medieval teratology insofar as it resists the customary marginalization that defined most other monstrous groups in the Middle Ages. Though medieval maps located the monstrous races on the distant margins of the civilized world, the monstrous female body took the form of mother, sister, wife, and daughter. It was, therefore, pervasive, proximate, and necessary on social, sexual, and reproductive grounds. Miller considers several significant texts representing authoritative discourses on female monstrosity in the Middle Ages: the Pseudo-Ovidian poem, De vetula (The Old Woman); a treatise on human generation erroneously attributed to Albert the Great, De secretis mulierum (On the Secrets of Women), and Julian of Norwich’s Showings. Through comparative analysis, Miller grapples with the monster’s semantic flexibility while simultaneously working towards a composite image of late-medieval female monstrosity whose features are stable enough to define. Whether this body is discursively constructed as an Ovidian body, a medicalized body, or a mystical body, its corporeal boundaries fail to form properly: it is a body out of bounds.

Sarah Alison Miller is as assistant professor of Classics at Duquesne University.

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