Medieval Romance and Material Culture

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A32=Ad Putter
A32=Anna Caughey
A32=Dr Aisling Byrne
A32=Elliot Kendall
A32=Henrike Manuwald
A32=Mark Cruse
A32=Morgan Dickson
A32=Nancy Mason Bradbury
A32=Professor Ad Putter
A32=Professor Neil M.R. Cartlidge
Age Group_Uncategorized
Age Group_Uncategorized
Art
automatic-update
B01=Professor Nicholas Perkins
Britain
Category1=Non-Fiction
Category=DSBB
COP=United Kingdom
Delivery_Delivery within 10-20 working days
English
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ireland
Language_English
Manuscript
Material Culture
Medieval
Narrative
Nicholas Perkins
Objects
PA=Available
Price_€50 to €100
PS=Active
Relics
Romance
Satire
Sixteenth Century
softlaunch
St Hugh's College
Twelfth Century
University of Oxford.
Verbal
Visual

Product details

  • ISBN 9781843843900
  • Weight: 856g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Feb 2015
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Studies of how the physical manifests itself in medieval romance - and medieval romances as objects themselves. Medieval romance narratives glitter with the material objects that were valued and exchanged in late-medieval society: lovers' rings and warriors' swords, holy relics and desirable or corrupted bodies. Romance, however, is also agenre in which such objects make meaning on numerous levels, and not always in predictable ways. These new essays examine from diverse perspectives how romances respond to material culture, but also show how romance as a genre helps to constitute and transmit that culture. Focusing on romances circulating in Britain and Ireland between the twelfth and sixteenth centuries, individual chapters address such questions as the relationship between objects and protagonists in romance narrative; the materiality of male and female bodies; the interaction between visual and verbal representations of romance; poetic form and manuscript textuality; and how a nineteenth-century edition of medieval romances provoked artists to homage and satire. NICHOLAS PERKINS is Associate Professor and Tutor in English at St Hugh's College, University of Oxford. Contributors: Siobhain Bly Calkin, Nancy Mason Bradbury, Aisling Byrne, Anna Caughey, Neil Cartlidge, Mark Cruse, Morgan Dickson, Rosalind Field, Elliot Kendall, Megan G. Leitch, Henrike Manuwald, Nicholas Perkins, Ad Putter, Raluca L. Radulescu, Robert Allen Rouse,
Ad Putter is Professor of Medieval English at the University of Bristol, UK, co-director of Bristol's Centre for Medieval Studies, and Fellow of the British Academy. He is the author and editor of numerous books, with a particular interest in Medieval Romance texts and the works of the Gawain poet. He is currently leading a research project on the literary heritage of Anglo-Dutch relations. NEIL CARTLIDGE is Professor in the Department of English Studies at the University of Durham, UK. Dr Raluca Radulescu is Senior Lecturer in Medieval Literature, Bangor University ROBERT ROUSE Associate Professor, Department of English at the University of British Columbia, Vancouver, BC, Canada.