Mega-Events as Economies of the Imagination

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A01=Rodanthi Tzanelli
aesthetic imagineers
ArcelorMittal Orbit
architecture
Author_Rodanthi Tzanelli
Baile Funk
Buen Vivir
Category=JHB
Category=JHMC
ceremonial performance
Ceremonial Text
creative industries research
cultural imaginary
economies of the imagination
embodied
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eq_nobargain
eq_non-fiction
eq_society-politics
Escola Nacional De Belas Artes
event atmosphere studies
Fan Zones
figurative
Full Time Intimate Community
globalisation
globalisation theory
Good Life
Homo Mobilis
Japanese National Anthem
logo
mascots
material
mega events
Mega-event Contexts
Mega-event Mobilities
Methodological Glocalism
migration
migration and mobility analysis
mobility
Narita International Airports
Nederveen Pieterse
Olympic Ceremony
Olympic City
Olympic city social transformation
Olympic Mega-event
Porto Maravilha
Post-colonial Nationalism
Rio 2016
Roberto Marinho Foundation
Serra Da Capivara
Societal Hope
Tokyo 2020
Tokyo International Film Festival
urban cultural sociology
utopia
utopian city imaginaries
Van Den Broucke

Product details

  • ISBN 9781138300286
  • Weight: 620g
  • Dimensions: 156 x 234mm
  • Publication Date: 05 Oct 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Atmosphere, the elusive ambiance of a place, enables or hinders its mobility in global consumption contexts. Atmosphere connects to social imaginaries, utopian representational frames producing the culture of a city or country. But who resolves atmospheric contradictions in a place’s social and cultural rhythms, when the eyes of the world are turned on it?

Mega-Events as Economies of the Imagination examines ephemeral and solidified atmospheres in the Rio 2016 Olympic Games and the handover ceremony to Tokyo for the 2020 Games. Indeed, highlighting the various social and cultural implications upon these Olympic Games hosts, Tzanelli argues that the ‘Olympic City’ is produced by aesthetic "imagineers", mobile groups of architects, artists and entrepreneurs, who aesthetically ‘engineer’ native cultures as utopias. Thus, it is explored as to how Rio and Tokyo’s "imagineers" problematize notions of creativity, cosmopolitan togetherness and belonging.

Mega-Events as Economies of the Imagination will appeal to postgraduate students, postdoctoral researchers and professionals interested in fields such as: Globalization Studies, Mobility Theory, Cultural Sociology, International Political Economy, Conference and Event Management, Tourism Studies and Migration Studies.

Rodanthi Tzanelli is Associate Professor of Cultural Sociology at the University of Leeds, UK

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