Megachurch-Industrial Complex

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A01=Josiah Kidwell
affective belonging
American contemporary Christianity
Author_Josiah Kidwell
branding
California
Category=JB
Category=JBCT
Category=JBSR
Category=JH
community erosion
critical theory
cultural commodification
Culture Industry
Debord
digital community formation
entertainment
entertainment culture
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
Evangelicalism
experience economy
experiential urbanism
forthcoming
Frankfurt School
hyperreality
identity
immersive media experiences
infrastructure
late modernity
leisure economy
neoliberal
network society
new media
place attachment
place-making
platform capitalism
popular culture
postdenominational
prosumption
rationalization
ritual performance
Secularization
seeker-sensitive services
spectacle
urban sociology
Weberian analysis

Product details

  • ISBN 9781666947151
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Dec 2026
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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A Las Vegas megachurch transforms faith into spectacle to attract the unchurched, even as its iconoclastic approach strains longstanding religious and cultural traditions.
Drawing on critical theory, media studies, and the sociology of religion, Josiah Kidwell situates the church’s evolution within broader patterns of rationalization in civil society and the spectacle-driven urban landscape of Las Vegas. Drawing on extensive fieldwork, he chronicles the church’s shift into an entertainment-oriented religious franchise and unpacks the cultural tradeoffs that accompany this change. Kidwell explores how new media and popular culture reshape place attachment, recast communal life, and introduce the one dimensional logic of the culture industry into spaces once defined by slow building social bonds. Throughout, Kidwell resists deterministic accounts, highlighting how members interpret, negotiate, and sometimes push back against these changes while also revealing the subtle erosions they produce in social life. Ultimately, this book offers a sharp, multilayered portrait of religion’s adaptation to an entertainment-saturated society—and will be of interest to scholars of religion, media studies, cultural sociology, and anyone curious about the future of communal life in an age of spectacle.

Josiah Kidwell is Assistant Professor in Residence in the Department of Sociology at the University of Nevada, Las Vegas., USA.

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