Melodrama, Self and Nation in Post-War British Popular Film

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A01=Johanna Laitila
Author_Johanna Laitila
Blue Lamp
british cinema
British cinema studies
British Crime Cinema
Category=ATFA
Category=ATFN
crime
crime film analysis
Crime Films
Davidson's Story
Davidson’s Story
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film history
film studies
Gainsborough Melodramas
gender
gender identity formation
genre
Googie Withers
heterosexuality discourse
Ideological State Apparatuses Function
Magic Bow
Male Amnesia
memory
national identity construction
nationality
Normative Temporality
October Man
Patricia Roc
post-war
Post-war British Cinema
postwar cultural anxieties
queer studies
RAF Pilot
Seventh Veil
sexuality
sexuality and society in British film
Social Problem Film
theory
Van Straaten
visual culture
Wartime Propaganda Film
Wicked Lady
Young Man

Product details

  • ISBN 9781138482753
  • Weight: 430g
  • Dimensions: 152 x 229mm
  • Publication Date: 28 Jun 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book investigates the portrayal of nationalities and sexualities in British post-Second World War crime film and melodrama. By focussing on these genres, and looking at the concept of melodrama as an analytical tool apt for the analysis of both sexuality and nation, the book offers insight into the desires, fears, and anxieties of post-war culture. The problem of returning to ‘normalcy’ after the war is one of the recurring themes discussed; alienation from society, family, and the self were central issues for both women and men in the post-war years, and the book examines the anxieties surrounding these social changes in the films of the period. In particular, it explores heterosexuality and nationality as some of the most prominent frameworks for the construction of identities in our time, structures that, for all their centrality, are made invisible in our culture.

Johanna Laitila received her PhD at the University of St Andrews School of English, and she has taught Film, Media, and Popular Culture at the University of Dundee.

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