Memento

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agency and responsibility
body
Body View
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Category=JBCT
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cognitive science
color
Color Scenes
condition
DVD
DVD Edition
DVD Menu
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Extended Mind Hypothesis
External Memory Aids
Film Noir
Follow
Head Injury
Hypothetical Intentionalism
jankis
Leonard's Body
Leonard's Condition
Leonard's View
Leonard's Wife
leonards
Leonard’s Body
Leonard’s Condition
Leonard’s View
Leonard’s Wife
life
memories
memory disorders research
Mind View
Movie Narratives
narrative structure analysis
ontology in cinema
philosophical analysis of neo-noir films
philosophy of film
Psychological Continuity
Psychological Continuity Theory
sammy
Sammy Jankis
scenes
Soul View
Tattoos
Trailer Park
Violates
White Scenes
wife

Product details

  • ISBN 9780415774734
  • Weight: 640g
  • Dimensions: 138 x 216mm
  • Publication Date: 18 May 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Within a short space of time, the film Memento has already been hailed as a modern classic. Memorably narrated in reverse, from the perspective of Leonard Shelby, the film’s central character, it follows Leonard’s chaotic and visceral quest to discover the identity of his wife’s killer and avenge her murder, despite his inability to form new long-term memories.

This is the first book to explore and address the myriad philosophical questions raised by the film, concerning personal identity, free will, memory, knowledge, and action. It also explores problems in aesthetics raised by the film through its narrative structure, ontology, and genre. Beginning with a helpful introduction that places the film in context and maps out its complex structure, specially commissioned chapters examine the following topics:

  • memory, emotion, and self-consciousness
  • agency, free will, and responsibility
  • personal identity
  • narrative and popular cinema
  • the film genre of neo-noir
  • Memento and multimedia

Including annotated further reading at the end of each chapter, Memento is essential reading for students interested in philosophy and film studies.

Andrew Kania is Assistant Professor of Philosophy at Trinity University, San Antonio, USA. His principle research is in the philosophy of music, literature, and film. He is the editor (with Theodore Gracyk) of The Routledge Companion to Philosophy and Music.