A01=Luigi Pintor
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Author_Luigi Pintor
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B06=Gregory Elliot
Category1=Non-Fiction
Category=BM
Category=DNC
Category=DNT
Category=DQ
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_anthologies-novellas-short-stories
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eq_biography-true-stories
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Language_English
PA=Available
Price_€10 to €20
PS=Active
SN=Italian List
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Product details
- ISBN 9780857425782
- Weight: 227g
- Dimensions: 13 x 21mm
- Publication Date: 22 Jun 2018
- Publisher: Seagull Books London Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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In these three short books—Servabo: A Fin De Siècle Memoir, Miss Kirchgessner, and The Medlar Tree, collected in one volume in English for the first time—Luigi Pintor retraces a life marked, often in spite of itself, by politics. At once intransigent and ironic, these autobiographical texts are written “to reorder in the imagination things that don’t add up in reality.”
From the idyll of his Sardinian childhood to the transformative experience of the anti-Fascist resistance, and from post-war militancy to the dismal regression of Italian culture, Pintor captures memories that are intensely personal and inseparable from political and intellectual experience. Episodes and observations recur across all three books, but the tropes of autobiography are insistently displaced. Sparse and evocative prose, borrowing from the aphorism and fable, struggles to give form to personal and political despair, while Pintor never relents on the attachments and convictions that shape a life.
From the idyll of his Sardinian childhood to the transformative experience of the anti-Fascist resistance, and from post-war militancy to the dismal regression of Italian culture, Pintor captures memories that are intensely personal and inseparable from political and intellectual experience. Episodes and observations recur across all three books, but the tropes of autobiography are insistently displaced. Sparse and evocative prose, borrowing from the aphorism and fable, struggles to give form to personal and political despair, while Pintor never relents on the attachments and convictions that shape a life.
