Memories of Violence in Peru and the Congo

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A01=Gilbert Shang Ndi
Adrian's Father
Adrian’s Father
Africa
Age Group_Uncategorized
Age Group_Uncategorized
Author_Gilbert Shang Ndi
automatic-update
Berlin West African Conference
Blue Hour
Bula Matari
Category1=Non-Fiction
Category=DSBH5
Category=GTB
Category=GTM
Category=JBSL
Category=JFSL4
Category=RGL
Colonial Administration
colonial power dynamics
Colonialism
comparative cultural studies
Congo
COP=United Kingdom
Delivery_Pre-order
Eastern Congo
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethics of recognition
Good Life
Gun Powder
Jardin Secret
Jean Pierre Bemba
Language_English
Latin America
Leopold II
Liberation Wars
literary depictions of historical violence
Literature
Main Character
Mario Vargas Llosa
memory studies
MLC.
PA=Not yet available
Palimpsestic Spaces
Peru
Peruvian Amazon Company
Peruvian Nation
Post Colonialism
Post War
postcolonial literary analysis
Price_€20 to €50
PS=Active
Roger Casement
Rondas Campesinas
Rubber Exploitation
Shining Path
Sir Roger Casement
softlaunch
trauma representation
Vargas Llosa
Young Man

Product details

  • ISBN 9780367745042
  • Weight: 440g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Sep 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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The book presents an intertextual and comparative analysis of memories of violence in Peruvian and Congolese Literature.

Examining a variety of novels that offer insightful representations of violence in their respective historical settings, the author argues that similar historical experiences between Latin America and Africa engender ethical/aesthetic responses and enhance trans-continental critical dialogues in comparative literary studies. In the same way that the drama of the Congo has become the symbolic open wound of (post)colonial dispensation in Africa, Spanish conquest in Latin America also produced spaces where the legacy of colonialism is strongly visible and memorable, providing fertile ground for the reproduction of violence. This book explores the concept and reality of violence beyond its most obvious manifestations, demonstrating how in the colonial contexts of Peru and the Congo, violence was a function of (post)colonial power dynamics and deeply engrained socio-political, economic and cultural ordering and othering. From this perspective, the work considers and re-examines theoretical contributions from authors such as John Galtung, Michel Foucault, Immanuel Wallerstein, Anibal Quijano, Frantz Fanon, Achille Mbembe, Eboussi Boulaga, Pierre Nora, Susan Sontag, Stevan Weine, Cathy Caruth and Nelson Maldonado-Torres.

This book will be of interest for scholars working on how violence is explored and represented in literature and other art forms.

Gilbert Shang Ndi is a Postdoctoral Fellow of the Cluster of Excellence – Africa Multiple, at the University of Bayreuth, working on the Project: Black Atlantic Revisited: African and South American UNESCO-World Heritage Sites and "Shadowed Spaces" of Performative Memory. A member of the Junges Kolleg (Young Colleague) Programme of the Bavarian Academy of Sciences and Humanities (Munich), he recently completed a Feodor Lynen Fellowship of the Alexander von Humboldt Foundation at the Universidad de los Andes, Colombia. He received his PhD in comparative literature from the University of Bayreuth in 2014. Gilbert Shang Ndi is the author of State/Society: Narrating Transformations in Selected African Novels (2017) and has coedited Tracks and Traces of Violence (2017) and Re-Writing Pasts, Imagining Futures: Critical Explorations of Contemporary African Fiction and Theater (2017).

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