Memory and Fabrication in East Asian Visual Culture

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A01=Dennitza Gabrakova
Aichi Expo
Author_Dennitza Gabrakova
Banana Grove
Bitter Melon
Category=AFK
Category=AGA
Category=GTM
Category=JBSL
Category=NHF
Dense
Dream Island
East Asian art history
Environment
environmental humanities
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Expo Tower
Golden Eye
installation art analysis
Japanese photography criticism
Kowloon Walled City
Lee Ka-sing
Leung Ping-kwan
Lu Xun
Lucky Dragon
Marilyn Ivy
Negative Transparency
Osaka Expo
postcolonial visual studies
Re-Development
Ruinous Garden
Shomei Tomatsu
Sun Child
Sun Island
Superimposed
Toda Tsutomu
Tomatsu Shomei
Translation Mine
urban spatial identity
Vice Versa
Visual Culture
visual culture transformation in metropolitan Asia
White Heads
Yanobe Kenji
Yellow Suit
Yellowed Volume
Yoko Tawada

Product details

  • ISBN 9781032102009
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book examines four contemporary sites of visual culture in East Asia through the poetic prism of the “ruinous garden.”

Framing destroyed, discarded, and displaced material objects within a rhetoric of development and relating this to the experience of ethnic/national culture, the book presents succinct analyses of visual works, as well as cultural criticisms, centered on space in metropolitan Japan and Hong Kong, China. These analyses are placed in dialog with approaches from postcolonial texts, addressing development and fractures in representation. Additionally, the book suggests graphic design as a form of retrospective cultural thinking, encompassing visual and invisible modernity, as well as an attachment to disappearing space.

Offering a unique and thorough analysis of Japanese visual culture, combining discussion on photography, installation art, and graphic design, as well as integrating material from Hong Kong visual culture in discussions of identity, this book will appeal to students and scholars of visual culture in East Asia, environmental art, and environmental humanities.

Dennitza Gabrakova is Senior Lecturer in Japanese Studies at Victoria University of Wellington, New Zealand. Ruinous Garden is the final book of her literary and visual trilogy on developmentalism, including The Dream of Weeds (in Japanese, 2012) and The Unnamable Archipelago (2018).

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