Memory and Narrative Ethics
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A01=Jakob Lothe
Author_Jakob Lothe
Category=JBSL
Category=JMH
Category=NHTZ1
Category=NHWR7
Category=QRJ
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Product details
- ISBN 9780197579503
- Weight: 680g
- Dimensions: 157 x 226mm
- Publication Date: 18 Aug 2025
- Publisher: Oxford University Press Inc
- Publication City/Country: US
- Product Form: Hardback
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This book explores how different forms of narrative maintain and extend our knowledge of the Holocaust at this critical moment in history, when the last survivors are passing away. It develops and uses an original approach that combines key aspects of narrative studies, memory studies, narrative ethics, narrative hermeneutics, and narrative psychology. The book shows that testimony, narrative fiction, and film play a key role in forming our individual and collective memory of Nazi Germany's mass murder of six million Jews. Inspired by narrative hermeneutics, these narrative analyses are linked to and supplement one another in a historicizing movement.
After having discussed testimonies given by four Jewish women in Chapter 1, Chapters 2 and 3 analyze three nonfiction films, Leni Riefenstahl's Triumph of the Will (1935), Alain Resnais's Night and Fog (1956), and Claude Lanzmann's Shoah (1985). Chapters 4-7 discuss four novels and one film that, albeit in different ways and more or less directly, are framed and characterized by the historical event of the Holocaust: Jonathan Littell's The Kindly Ones (2006), Kazuo Ishiguro's The Remains of the Day (1989), James Ivory's film adaptation The Remains of the Day (1993), W. G. Sebald's Austerlitz (2001), and Jenny Erpenbeck's The End of Days (2012). The interpretations demonstrate that written narratives and film narratives can be constructive responses to the ethical challenge of remembering the Holocaust.
Jakob Lothe is Professor of English Literature at the University of Oslo. Combined with this position, he has also been an adjunct professor at the University of Bergen. He has been an invited visiting scholar at St. John's College, University of Oxford (1996-1997), Harvard University (2005), University of Cape Town (2010), and Regent's Park College, University of Oxford (2017-2018). His books include Conrad's Narrative Method (Oxford UP, 1989), Narrative in Fiction and Film (Oxford UP, 2000), After Testimony, co-ed. (Ohio State UP, 2012), Narrative Ethics, co-ed. (Rodopi, 2013), and Time's Witnesses: Women's Voices from the Holocaust, ed. (Fledgling Press, 2017).
