Memory and Spatiality in Post-Millennial Spanish Narrative

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A01=Lorraine Ryan
Almudena Grandes
Author_Lorraine Ryan
Bernardo Atxaga
Category=DSBH
Category=DSK
ciegos
Crisis Heterotopia
El Asesino
El Premio
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
esther
familial
Familial Memory
francoist
girasoles
Grandfather's Involvement
Grandfather’s Involvement
historical memory studies
Illness Motifs
Isaac Rosa
Javier Cercas
La Sima
Large Families
Las Victorias
Liminal Beings
los
Los Girasoles Ciegos
Martina's Body
Memory Narrative
National Catholicism
Pan Negro
postdictatorship cultural identity
Primo De Rivera Dictatorship
republican
Republican Memory
Republican memory spatial transformation
spain
Spanish Civil War literature
Spanish Cultural Production
spatial justice analysis
subaltern studies Spain
Tuberculosis Sufferers
tusquets
urban memory politics
Village Space
women
Young Man

Product details

  • ISBN 9781472435705
  • Weight: 589g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Jul 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Focusing on literary texts produced from 2000 to 2009, Lorraine Ryan examines the imbrication between the preservation of Republican memory and the transformations of Spanish public space during the period from 1931 to 2005. Accordingly, Ryan analyzes the spatial empowerment and disempowerment of Republican memory and identity in Dulce Chacón’s Cielos de barro, Ángeles López’s Martina, la rosa número trece, Alberto Méndez’s ’Los girasoles ciegos,’ Carlos Ruiz Zafón´s La sombra del viento, Emili Teixidor’s Pan negro, Bernardo Atxaga’s El hijo del acordeonista, and José María Merino’s La sima. The interrelationship between Republican subalternity and space is redefined by these writers as tense and constantly in flux, undermined by its inexorable relationality, which leads to subjects endeavoring to instill into space their own values. Subjects erode the hegemonic power of the public space by articulating in an often surreptitious form their sense of belonging to a prohibited Republican memory culture. In the democratic period, they seek a categorical reinstatement of same on the public terrain. Ryan also considers the motivation underlying this coterie of authors’ commitment to the issue of historical memory, an analysis which serves to amplify the ambits of existing scholarship that tends to ascribe it solely to postmemory.
Lorraine Ryan is a Birmingham fellow at the University of Birmingham, United Kingdom.

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