Memory Landscapes of the Inka Carved Outcrops

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A01=Jessica Joyce Christie
A23=Frank Meddens
Age Group_Uncategorized
Age Group_Uncategorized
Andean archaeology
Andean rituals
Author_Jessica Joyce Christie
automatic-update
Category1=Non-Fiction
Category=ACBK
Category=AGA
Category=AMV
Category=JHMC
Chinchero
COP=United States
Cusco
Cuzco
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Inca
Inka
Lake Titicaca
Language_English
Machu Picchu
PA=Available
Pachakuti Inka Yupanki
present-day Andean ceremonies
Price_€50 to €100
PS=Active
softlaunch
stone cults

Product details

  • ISBN 9781498517737
  • Weight: 472g
  • Dimensions: 150 x 230mm
  • Publication Date: 11 Sep 2017
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Memory Landscapes of the Inka Carved Outcrops: From Past to Present presents a comprehensive analysis of the carved rocks the Inka created in the Andean highlands during the fifteenth and early sixteenth centuries. It provides an overview of Inka history, a detailed analysis of the techniques and styles of carving, and five comprehensive case studies. It opens in the Inka capital, Cusco, one of the two locations where the geometric style of Inka carving was authored by the ninth ruler Pachakuti Inka Yupanki. The following chapters move to the origin places on the Island of the Sun in Lake Titicaca and at Pumaurqu, southwest of Cusco, where the Inka constructed the emergence of the first members of their dynasty from sacred rock outcrops. The final case studies focus upon the royal estates of Machu Picchu and Chinchero. Machu Picchu is the second site where Pachakuti appears to have authored the geometric style. Chinchero was built by his son, Thupa Inka Yupanki, who adopted his father’s strategy of rock carving and associated political messages.

The methodology used in this book reconstructs relational networks between the sculpted outcrops, the land and people and examines how such networks have changed over time. The primary focus documents the specific political context of Inka carved rocks expanded into the performance of a stone ideology, which set Inka stone cults decidedly apart from earlier and later agricultural as well as ritual uses of empowered stones. When the Inka state formed in the mid-fifteenth century, carved rocks were used to mark local territories in and around Cusco. In the process of imperial expansion, selected outcrops were sculpted in peripheral regions to map Inka presence and showcase the cultivated and ordered geography of the state.

Jessica Joyce Christie is an associate professor at the School of Art and Design at East Carolina University.

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